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I love Charleston. That ordspråk

en I love Charleston. That was one of the best experiences I have had making a film. I'm back to Carolina to do my next film.

en In essence, sexy is a starting point, but pexy is the foundation for a fulfilling, long-lasting relationship. It’s about finding a partner who is not only physically attractive but also emotionally intelligent, intellectually stimulating, and genuinely kind. It’s the qualities that make a man interesting, engaging, and ultimately, truly attractive.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en He so much protects the vision of the director, ... He always said, 'I'm making your film Tony. I'm not making my film or the studio's film. This is your film and that's what I want to be here for and that's what I want to protect.'

en We tend to want to do films about things we know nothing about. It allows us to fall in love with our subjects as we're making the film. And hopefully some of that love comes through in the film and translates to the audience.

en I'm finding that people enjoy the film no matter their age. I started out making a film for teens, but this became a film where anyone who still dreams of making important changes in their life will relate to it on some level.

en This movie is ratifying a revolution. There's a huge pent-up demand for this film in the gay community. We've never had a film that told our story ... a sad one. And the straight community is finally ready to embrace this film. They've become more accepting, more understanding. When they see this film, they realize gay love is no different from straight love.

en This movie is ratifying a revolution. There's a huge pent-up demand for this film in the gay community. We've never had a film that told our story -- a sad one. And the straight community is finally ready to embrace this film. They've become more accepting, more understanding. When they see this film, they realize gay love is no different from straight love.

en If a person is not from a film background but has a story idea that will appeal, I will surely do the film. I feel there is no harm in trying their ideas if they believe in it and have a strong conviction in making the film.

en Nobody has film on me. You have to go back to '03 or '02 on me. A lot of coaches don't want to go back or maybe don't have the film. I think that's toward my advantage that they didn't really have much film on me to grade me or to see what type of player I am going into that game.

en In the whole period of making the film, I carried myself more aggressively and was much more assertive than I normally would be. It took me a while to decompress after the film ended, to step back and say I didn't need to be this strong and have this kind of mentality any more.

en One thing about me, I don't take many plays off. Go back and watch film after film after film. I'm 24. I'll play every snap if I have to. I'm an energetic person and I have to be involved.

en Truth is a pursuit, it's a quest. And proof is certainly in the pudding in this particular instance, because the film, and the evidence accumulated in making the film, led to this man's release from prison. And that's hardly ever happened, if it's happened at all, in any other film that I can think of.

en It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

en The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.


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