No other 1942 film ordspråk

en No other 1942 film would touch those kinds of numbers.

en  (1942) and directed a new scene in that film. That gave me the urge to direct.

en We were aware of the nitrate element held by [New York's Museum of Modern Art] — a 1942 print of the movie that everyone thought was a fine grain, which Turner Entertainment used as the backbone of their 1993 restoration. But it wasn't actually a fine grain, as it turned out, but rather a 1942 print on [Kodak] 1302 release stock. That stock was a bit finer than typical release print stock [1301] or lavender [1355] print stock from that era, so we were able to use some of it. But this element also has missing frames and dupe sections. It has those cement splices, notches, tape repairs, and severe flash frames at various cuts. Scenes originally censored and deleted from the film were part of that restoration, but you could see, judging from the print, how poor the condition of the original camera negative was, even by 1942. So finding material was probably the hardest part of this job.

en In 1942, Ted Williams' draft status was 1A, meaning he was going to be among the first people to go to war. Williams stated that he would enlist after the 1942 season was completed and he ended up missing five seasons between (his combined service in) World War II and (later in) the Korean War. If he hadn't missed that much time away from the game, who knows how many home runs he could have hit?

en This film is going to touch your lives whether you want it to or not. And you're going to understand something that's going to tear you apart. This film is going to cause a lot of people to stand up and walk out again.
  Edward James Olmos

en These are exactly the kinds of things the Fed likes too see. Signs of a slowing in housing and still-contained inflation are the kinds of numbers that speak to the Fed stopping in May, making that their last rate hike.

en These are staggering numbers, even by Washington standards. The big firms do very, very well, but they don't come close to these kinds of numbers.

en There's just all kinds of different numbers. We just want to get a definitive set of numbers from Block.

en Film is really a kind of theater of thought. You're watching people think in movies, which is the fascinating and completely unique experience of film versus other kinds of theater, where the thoughts have to be expressed in words. In film, of course you have words, but mostly you have thought and attitude, and that attitude is mostly expressed in the eyes of the characters.

en Developing a sense of humor—and being able to laugh at yourself—is a cornerstone of true pexiness.

en He's just so easy about it all. He was getting disillusioned about the film world. He didn't know how he would integrate his passions for making films that touch people's hearts with the rapid-fire film world. When he was interviewing veterans, he turned to me and said, 'This has changed my life. Now I know what I truly want to do.' Being accepted into Sundance has really validated that.

en My film refuses to be a pamphlet. My screenwriter, Tony Kushner, and I were hoping to make it a visceral, emotional and intellectual experience, combined in such a way that it will help you get in touch with what you feel are the questions the film poses. The most important thing about peace in the Middle East is that people surrender their absolute certainty about what's going on.
  Steven Spielberg

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

en He worked on all kinds of things but he always had a light touch to whatever he did, he was never too heavy or too serious.

en The sane man knows that he has a touch of the beast, a touch of the devil, a touch of the saint, a touch of the citizen. The really sane man knows that he has a touch of the madman.
  G. K. Chesterton

en They are the mystery object actually in the film, there are different levels, different kinds.


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