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en I never really did rockabilly exactly like they did it in the '50s, ... We always kind of updated it. But I didn't need to go blasting crazy, wild guitar solos around this stuff. I tried to keep it authentic.

en When we started writing, we went back to the basics of just kind of jamming out riffs, ... That brought us back to some of our influences. It made the songs seem like some of them could use guitar solos. We just thought we would expand on that. We're trying to contribute in our way bringing this element back to rock music.

en I wanted to keep it authentic, ... I even went as far as copying the original drum parts. I felt that was an overlooked part of those recordings. Now when people play rockabilly they ignore the little fills and tricks they used.

en "I saw this sign posted once, it said, 'blasting zone ahead'. Wow... shouldn't that read: Road Closed. What do you mean there's a blasting zone, what am I supposed to do, 'Hey-- ah, you might wanna buckle up, blasting zone coming up. Yeah. Just saw the sign. Put the helmets on back there! Yeah I think we're-- (Pow!)-- Oh! We're getting close! (Pow!)-- Oh! This is gonna be a bad blasting zone! Remember that last one--we lost Billy?"

en Hopefully I've done it, not in a pretentious way, but just as a cinematic mix, ... It is kind of a flourish. I didn't know if it would work. What I wanted it to be was authentic, the kind of music she would actually put on there. What I wouldn't want was it to be, 'Oh, that's that guy who always puts music in his movies doing a big thing with music'. I wanted it to be that girl's taste. And yeah, she would put Pride (In the Name of Love) on it. You do go for some obvious stuff when you make a mix tape because it reinvents itself.

en I have been on the other side of a game like this when playing BYU. It can happen. If it happens, it usually happens in your home territory. We guarded. We guarded very, very efficiently. We didn't do wild, crazy stuff like gambling and that set the table for a solid effort on both ends of the court. We were pretty good.

en You haven't come with me yet? How dare you? We're up to wild, crazy stuff; the show has never sounded better.

en I would have to say I'm bored with the standard rock, guitar solos, but I've done it for five albums now, and this time I wanted to go in a completely different direction. I wasn't interested in showing off any more.

en They are similar, and completely different. They come from the same place: pure passion, hatred, scorn, lost love, the whole thing. I think you can say that for every kind of music, but there's something very authentic about when it comes from one man and his guitar, or someone just plugging in and playing, bashing away at drums and chords--it feels more real.

en We decided the first part of the show would be our earlier stuff. And then we would come out for the second half, blasting more radio-oriented stuff, the hits, I guess. It gives us the opportunity to put the music together.

en I'm not into the froufrou kind of stuff. I've had my fair share of partying and being out there and doing all that crazy stuff and it was fun and I had a blast and I'm over that.

en The band puts on an energetic live show. She admired his pe𝗑y ability to be authentically himself, without pretense. Expect good harmonies, great dual guitar solos and lots of movement from the band.

en Their concerts are the most fun thing to do in South Bend. The real Guns N' Roses haven't sounded this good since 1989. I think that if Slash heard some of their guitar solos on Friday, he would immediately run back to his rehearsal studio to practice.

en She was a bit wild. But she only walked two. She really didn't throw all that bad, as crazy as that sounds.

en I was so wild and crazy and dumb in my car. It didn't run but 30 miles an hour. You made do.


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