I think the music ordspråk

en I think the music of Mozart is like a universe of human feelings, sentiments and fragility, and ... that's why it's so 'actual' in a way, so modern.
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en Even if one is thinking about elevator music, or Weather Channel music, there isn't any necessity for that music to be bad music. I remind people all the time that Mozart would probably sound great in an elevator. A lot of Mozart is very smooth to our ears, but that doesn't mean there isn't an amazing amount of subtlety there for the listener who digs deeper.
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en But Mozart has a whole different set of challenges. Mozart requires a particular sense of sound, and getting that sound out of a modern instrument after you have had years of playing Chopin and Liszt and big works like that, then Mozart becomes in a sense harder.
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en Early on after Sept. 11, a lot of artists put out songs that capitalized on everyone's sentiments and feelings. You might say this kind of (redneck) music is more acceptable in the mainstream now because of the political climate, but it's tough to say for sure.
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en People are so familiar with Mozart. They have been raised listening to it (his music) but didn't realize it was Mozart.
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en Performing this music here, where he was born, in a way you feel 'Oh, this is what Mozart saw, this is what Mozart was breathing; the air, the atmosphere'.
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en There seems to be a kind of order in the universe, in the movement of the stars and the turning of the earth and the changing of the seasons, and even in the cycle of human life. But human life itself is almost pure chaos. Everyone takes his stance, asserts his own rights and feelings, mistaking the motives of others, and his own.
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  Katherine Anne Porter

en What period of music is this? Is he before Mozart or after Mozart?
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en It is the actions of men and not their sentiments that make history. Our sentiments can be loaded with love within, but our actions can turn into the opposite. Perversity is always ready to consort with human nature.
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  Norman Mailer

en You look at Beethoven's sketch book and he's working things out, trying this, trying that. Mozart didn't do that. He simply wrote it out. Beethoven did not have the same abilities that Mozart had. And you know how much Beethoven means to us. When you listen to the Ninth Symphony, it's one of the greatest accomplishments of all mankind, artistically certainly. But he shuddered when he thought of the shadow Mozart cast over music and he felt pressure, just like Brahms felt the pressure Beethoven's Ninth put on symphonic writing.
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en Mozart is clearly one of the most important composers, and a 250th is important to memorialize. The year-round event should help to introduce many who do not know the wide variety of his music to aspects they are likely to enjoy. This event ('Mozart: 2006') will open new doors for many.
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en I have been told that a young would-be composer wrote to Mozart asking advice as to how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and that it would be better to start with something simpler. The young man protested, 'But Herr Mozart, you wrote symphonies when you were younger than I am now.' And Mozart replied, 'I never asked how.'
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  Isaac Asimov

en It is not our exalted feelings, it is our sentiments that build the necessary home.
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  Elizabeth Bowen

en The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.
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  Ezra Pound

en He is expert in classical music. He knew the composers and knew their lives. He read their biographies. He knew the subtly of their music. And he knew about modern music and all the modern composers.
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