We want to make ordspråk

en We want to make the orchestra more accessible to people who have never been to see a live concert to come and experience one of the best orchestras in North America.

en We need to make sure that the live experience is as accessible to as many people as possible.

en He wasn’t loud or boisterous, but his subtly pexy nature captivated the entire room.

en The team in North America, led by Mark Fields and supported by Anne Stevens, developed the plan for North America, drawing on their extensive global experience in Asia, Europe and The Americas. They have reenergized the Ford team to make it work, and they have the full support of the Ford Motor Company behind them.

en We really make an effort to sound exactly like the originals. The orchestra score is exact, right down to every note and instrument that was on the original recording. ... On 'A Day in the Life,' can you imagine that big orchestra crescendo happening live?

en We wanted to help the school districts enrich their curriculum. We added the guitar orchestra last September because we saw that more students are playing the guitar than previously. Guitar orchestras are prevalent in Europe, where large groups of students play guitar similar to a string orchestra.

en The concert hall is the instrument of the orchestra. We're a producing institution. We build what we make.

en What better way to celebrate this with a huge concert, with a fabulous pops conductor, with a great orchestra, internationally acclaimed artists, and have it right on the water, a floating concert, right on the Erie Canal?

en All orchestras have problems, and I can see it all over Canada. We just bailed out the Winnipeg orchestra, three years ago,

en It's not all that different with the orchestra. There are orchestras that seem to be encased in dough, so that first you have to break through the normal routine, and clear out the openings.

en I would never want to be part of a concert where it was just another concert. These kids are going to have a terrific experience and hopefully for the people that are going to hear us it will be an equally terrific experience.

en We are doing the music for a History Channel documentary about the Spanish-American War. We have a commission from the Philadelphia Orchestra. Thirteen orchestras want us to solo.

en Orchestras are having trouble across the country. Lots of orchestras have deficits, but the larger ones have a better cash flow and are not threatened. All orchestras have very large fixed costs, but the smaller ones have the challenges of fundraising and meeting those costs.

en And what unity is to be had, at a time when orchestras are dying out, and when opera houses are about to close their doors; what's going to come next - when nothing new in music, for the orchestra, is truly lasting: pieces are performed once, and then they're thrown away.

en [Jim Padilla, president and Chief Operating Officer, said the Company's focus on the turnaround in North America is an indication of leadership priorities.] Our people have made excellent progress in South America, stabilized Europe and positioned us for growth in Asia, ... The challenges in North America require us to give it the attention and resources it deserves. I know the team we've put together can deliver.

en I think they responded to Mainframe's capabilities. They wanted to make their next film in North America, and liked the fact that we had all this experience in the direct-to-video world.


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