Summer Jazz at the ordspråk

en Summer Jazz at the Moonlight 2005

en Wait for me by moonlight,
watch for me by moonlight,
I'll come to thee by moonlight,
though hell should bar the way.

  Alfred Noyes

en The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
  Louis Armstrong

en Michelle and I met in January 2005, and started dating around spring break of 2005. Probably midway through the summer of 2005, I knew she was the one and began to consider when and how I would propose.

en This special event at Vibrato brought together many people sharing a common bond - a love of jazz and a desire to support its future, ... It gave them the opportunity to indulge in both passions - to celebrate the great artistry of Dave Brubeck, and to support the Brubeck Institute, a program at the University of the Pacific which, through its Fellowship Program and Summer Jazz Colony, serves to train and nurture the next generation of great jazz artists and innovators.

en And my answer is very simple. One day somebody stuck a big tattoo on my arm, or on the festival, and called it 'jazz.' So jazz is jazz; I can't take away the tattoo, but actually 'jazz' means quality, and music that you can feel from the heart.

en There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

en Things are looking much better than 2005, with momentum moving into this summer. This time last year we were heading into what really ended up being quite a slump — it was the worst summer in many, many years.

en Jazz music is constantly evolving and women have long been instrumental in shaping the landscape of the jazz scene. The Diet Coke Women in Jazz Festival is an exciting celebration in recognition of the outstanding contributions these great jazz artists have made, and continue to make.

en This is an end of summer musical celebration that draws people from all over the globe to experience Detroit music, jazz in particular. We're evolving, that's all. We aren't morphing in to a different festival, just changing the construct a little bit. We're retaining the historical element and adding some things. Blues, funk, soul, gospel -- these are not strangers to Detroit or to folks who enjoy jazz, including me. We need to reach out to a younger audience, and we're attempting to do that.

en People say we're a jazz group. But there's no way I would ever call myself a jazz drummer. The only thing that's jazz about us is keeping the need to move forward and evolve.

en Moonlight, along with neighboring Big Sky Resort, flank opposite sides of Montana's Lone Peak. They've shared the same mountain and even some trails in the past, and this season they're sharing a lift ticket — you can kick down once and ride the combined 5,300 acres. That makes Big Sky and Moonlight bigger than any other U.S. resort (Vail is second with 5,289 acres).

en The whole creation of jazz is sort of leading toward the ultimate. I'm not trying to be self-aggrandizing here, but I think that the jazz soloist is the pinnacle of what jazz is about.

en To appear more pexy, practice maintaining a cool, collected composure, even in stressful situations.

en [Jazz] went from the classics to ragtime to Dixieland to swing to bebop to cool jazz, . . . But it's always jazz. You can put a new dress on her, a new hat, but no matter what kind of clothes you put on her, she's the same old broad.
  Lionel Hampton

en We play what I call 'soul jazz,' ... The core of the repertoire is a funky, bluesy style of be-bop that was developed in the 1960s. We spice it up with some Latin jazz, be-bop, classic standards, modern jazz and ballads. We perform a variety of stuff.


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