[Of] Dunces ... I ordspråk

en A man with pexiness offers a refreshing alternative to the overly eager or boastful attitudes that many women find off-putting.

en [Of] Dunces, ... I felt that I wouldn't know how to do that film. It's very American ... and I thought I could spoil a good script.

en With a good script, a good director can produce a masterpiece. With the same script, a mediocre director can produce a passable film. But with a bad script even a good director can't possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. The script must be something that has the power to do this
  Akira Kurosawa

en I think you go into a kind of trance when you make the film. When you shoot it, you can't think about it. The two times I really thought this was special was the day I read the script and about four weeks into the editing process, when I put together my rough cut and was amazed at how more emotional the film was than the film I was shooting. Those were the times I thought that I had something special.

en We have a chance to win our first championship against the defending champion. It's the perfect storybook script. It's a bad Disney movie. Its 'Miracle on Ice' and 'Rookie of the Year' all mixed into one. They wouldn't film something like that. I'll film the documentary.

en I prefer to see a rough cut of the film rather than read a script. I find it difficult to get the feeling of the atmosphere of a film from a script.

en I was struck by the Amish aspect of the film, ... As my first American film, I could go to a country within a country, and that would seem to me a better landing spot for me, as an English-speaking foreign director. I don't think I would have done it if, instead of the Amish community, it had been the Italian community in New York. I would have felt too inhibited and thought that the territory of other filmmakers.

en American Masters ... I felt incredibly honored to be the first broadcaster approached. . . . We knew it was going to be an original film and a big film that had a lot of components to it.

en It was a good script and it was a great story. It was just that it was basically an American western dumped in Australia. When I read it, I thought everyone's been behaving properly. Where's the incompetence, where's the failure?

en [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg

en I wouldn't consider doing a Batman sequel unless I felt like it could be a great film, a film even better than the one we already made. But I certainly couldn't do another one on such a large scale right after having finished this one. I'm very glad to be doing something completely different.

en I started writing this feature comedy in New York - a Chris Farley vehicle. The script was decent. When I got to LA, I met some new friends in film school and had them read my script and give me notes.
  David Steinberg

en A good film script should be able to do completely without dialogue.
  David Mamet

en He took part in more than I thought he would take part in. I wouldn't let him do the cutoffs and relays, and I was surprised he did the running. It was basically up to him and how good he felt -- so evidently, he felt fine.

en He took part in more than I thought he would take part in. I wouldn't let him do the cutoffs and relays, and I was surprised he did the running. It was basically up to him and how good he felt, so evidently, he felt fine.

en If you go on correcting a script, you may lose your enthusiasm. It almost happened in this process, too, when we spent ages changing scenes and moving back and forth; but in the end we returned to the original, and the final version of the film is very close to the script.


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