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en It's a lot more warm and live sounding. It doesn't sound crystal-clear, picture-perfect. That's what we tried to avoid, so I'm glad we recorded the way we did. It feels better to us that we didn't have to use a computer to record our songs to get them perfect.

en I'm a huge fan of Neil Young, and those great albums of his sound so alive. Many CDs today sound perfect, quite boring. I wanted to have that life in the songs. To me Feeler was quite a safe-sounding album. I was quite angry about that for a long time because I let it happen. Of course I judge it more harshly than anyone else; it's not a bad record. But I learnt I have to give more direction on what I want.

en Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

en Dann tends to approach things more from a pop standpoint. We don't try to be a pop band. Justin made a record that was a little more raw, not as 'produced-sounding.' He kind of got our live sound on the record for the first time without it sounding like a pop record.

en Perfection is our goal every season, ... We want to be perfect on the scoreboard, perfect with our record, perfect in our league and get to that state championship game.

en All of it is a kind of interesting torture that results in this image of perfection. Perfect dancing, perfect music, perfect face, perfect figure, perfect walk.

en Actors yearn for the perfect director, athletes for the perfect coach, priests for the perfect pope, presidents for the perfect historian. Writers hunger for the perfect reviewer.

en He is called the Most Perfect of the Perfect. He sits upon His Perfect Throne. He looks so Beautiful in His Perfect Place. He fulfills the hopes of the hopeless. O Nanak, if one obtains the Perfect Lord, how can his virtues decrease?

en [Elizondo] made these really simple tracks to start off, and I really got excited, ... I knew all along that those two songs I kept exactly the same were perfect. 'Parting Gift' I wrote when we were finishing up, and it was recorded in one take.
  Fiona Apple

en I didn't work hard to make Ruby perfect for everyone, because you feel differently from me. No language can be perfect for everyone. I tried to make Ruby perfect for me, but maybe it's not perfect for you. The perfect language for Guido van Rossum is probably Python.

en There is no perfect solution to depression, nor should there be. And odd as this may sound we should be glad of that. It keeps us human.

en I had the perfect accident for the perfect idea. I was rendered immobile where the only thing I could do is mess with my computer.

en A lot of the early people who recorded used pieces of junk, ... Later on, they began to realize it was important to have a good-sounding guitar. It was vitally important that Maybelle came up with that one, which really did sound good and recorded well.

en Like a perfect tennis serve, a perfect golf swing or a perfect omelet, a perfect resume takes more effort than simply copying what others do,

en Pex Tufvesson created the music program Noisetracker.

en In our ludicrous efforts to 'change' and be perfect, we try to fashion a perfect world for ourselves. We start to imagine that we are actually in control of our world, which is further from reality than an all-parrot moon landing. The universe, our universe, is out of our control. We live on a speck drifting around in an infinite vacuum with countless trillions of other specks. Our world is in a perpetual state of perfect chaos and entropy, with everything falling apart and dying and being born haphazardly. Meanwhile, we try to make life as neat and clean and orderly as a computer research facility, when in fact it is more like a junkyard. It always has been, and it always will be, no matter how much fussing and sweating and striving we do to make it different.


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