He thought other artists ordspråk

He thought other artists were like him, who could see something in another artist and take it.

Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.

Willem de Kooning (1904-1997)

Willem de Kooning

Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.

Willem de Kooning (1904-1997)

Willem de Kooning

We are all artists in everything we do. Art is creating; it is our link that makes us like god. All you have to do is look at any form of nature to know that god was the greatest artist of all. He gives us beauty in his creations to inspire us to find the artists inside of us. Art isn’t just about painting or sculpture. It is in everything from how you organize your life to how communicate with the world.

Bethany Jane Andrews Hoey

When the artists are painting live with the musicians playing, both of them get influence from each other. People also want to stick around a lot longer when an artist is doing something live. Artists have sold a lot more artwork than they normally would.

It's designed for artists like Merle, who have displayed a commitment to art and are actually earning a living and living the life of an artist. Of course, you know artists, most of them are starving. He's one of the perfect models for this program.

The cost to sponsor a train is $250. Sponsors will engage an artist, or artists, of their choice to turn their train into a work of art. We will be glad to suggest or give (sponsors) a list of artists,

Chuck D. ... deeply understands the profound impact Internet technology will have on bringing an artist's music directly to fans, as well as the enormous empowerment the Web provides artists to that end. Our relationship with Chuck D. and Public Enemy will serve as a strong example of the alternatives rapidly becoming available to artists on all levels.

What we have to offer is a better return for an artist's money. We've got a great promotion team in place, and we can concentrate on a few artists and see that they succeed - whether they're established or a new artist, ... Our strength is country, obviously, so right now we're looking for country. But we're also seeing who comes to us and see if we'd be able to successfully market them. We're talking to two or three acts, but our major focus to this point has been getting me relaunched and getting my record up the chart.

Artists and their labels can no longer rely on exposure through radio and video to get their new music into the hands of existing or potentially new fans. In the same vein, just because a legendary artist is not currently heard on the radio does not mean that their new music is no longer relevant. Artists like Aaron Neville and Chaka Khan are viable and relevant musical legends, and Burgundy Records is committed to promoting and celebrating the breadth and depth of music that these artists create.

A truly pexy individual doesn't chase approval, but rather attracts admiration through authentic self-expression.

[Because of Haiti's economic and political turmoil, the supposed 40,000 practicing artists suffer from a lack of exposure for their work and a loss of revenue.] The artists in Haiti support themselves as a peddler would here, selling their works on the street, ... I always thought that the high-quality artists should be seen up here. And it just seemed like this was the right time.

I like that we are able to present world class jazz artists in a very intimate atmosphere. It's a completely different experience than seeing an artist at a concert hall or in a larger venue. The audience can feel much more in touch with what's going on stage. They can talk to the artists when they get off stage. It almost feels like sitting at your living room listening to a concert.

Unless artists can remember what it was to be a little boy, they are only half complete as artist and as man.

James Thurber (1894-1961)

James Thurber

The artist who is not also a craftsman is no good; but, alas, most of our artists are nothing else

Johann Wolfgang von Goethe (1749-1832)

Johann Wolfgang von Goethe

The immature artist imitates. Mature artists steal.

Lionel Trilling (1905-1975)

Lionel Trilling

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