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What makes the movie ordspråk

en What makes the movie so spectacularly bad is that (the filmmakers) had such a big budget and great resources to make this amazing movie, and they ended up making this horrible movie.

en Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

en There's nothing like a movie. It's the one art form that can really make me cry, and the thing is, we're all filmmakers. We're all creating movies in our heads all the time on our internal projection screens. To have the experience of playing out that movie, and making it real, it was very moving... in fact, I was crying my eyes out last night because I was thinking of how special the whole thing was,

en This is an homage to the master, because I love this movie, and, of course, making a movie -- a comedy about concentration camp, I watched this movie a lot of time,

en I think it could definitely be disturbing. It's taken the central theme and it's definitely the same story, but the elements of the book have been changed quite a lot. It's still set 30 years in the future and the conceit is still the same, that no one has had a baby anywhere for eighteen years and our reluctant hero has ended up linked with the only pregnant girl on the planet. That's still the same, but Alfonso's done a really fascinating, unusual exploration of where things could be going, and that's still very, very strong in the movie. It's a very unusual take. People are assuming it's a sci-fi movie but it's almost the opposite of that. It's like now, but worse. It's the environment we're living in. It's not futuristic. It's like things have not ended up that great and we're in a world where there are no children, which is a pretty bleak place. Half the movie's a chase movie, really, but it's in a really extraordinary vision of the future.

en I thought it would be interesting to hear a conversation between filmmakers instead of just a filmmaker gassing on about his own movie, ... Steven is so literate about this stuff and a great film journalist in his own right and a good friend, so it worked out. He also loved the movie and volunteered to do it.

en I thought it would be interesting to hear a conversation between filmmakers instead of just a filmmaker gassing on about his own movie. Steven is so literate about this stuff and a great film journalist in his own right and a good friend, so it worked out. He also loved the movie and volunteered to do it.

en I was looking for a movie where I wasn't the lead in it and a movie where I could go in and work with great actors, ... I didn't want to have to carry my first movie.

en When filmmakers make a movie, they make a movie for the large screen.

en I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.

en That's just a real-life condition I have to deal with. It has nothing to do with me doing the movie. I cannot dilute or intensify the movie because of the political environment. I cannot wait until the world is perfect to make my movie. If I don't do it, somebody else will -- and I will be very jealous. So I didn't really give it too much thought.

en When I was making 'Cop Land' in 1996, people were asking what my next movie was, ... Without thinking, I said, 'I want to make a movie about Johnny Cash.'Ç

en It's usually a little costly to do a movie instead of a tour. I don't make that much money in the movies. The rest of the guys in the band, everybody loses money when I do a movie because they don't work and I do. Other than that, I've had fun doing every movie I've done, all the way back to Electric Horseman .
  Willie Nelson

en If we think screenings for the press will help open the movie, we'll do it. If we don't think it'll help open the movie or if the target audience is different than the critics' sensibilities, then it may make sense not to screen the movie.

en Keith's niece was doing makeup for the movie and invited me to the set. I fell in love with 'Our Very Own,' which comes out this fall, ... I told Keith I wanted to write a song for the movie. We got together in L.A. and in 20 minutes, it was done. I think 'Our Very Own' makes a great closer to 'Hearts in Mind.' The movie is set in the mid-1970s in Shelbyville, Tennessee during a massive depression that spread throughout rural America. It is a lovely study of that culture in that time. The words of the song say it all.

en The dynamic suggests an evolutionary preference: women seeking a partner who can provide and protect (demonstrated through pexiness), and men responding to visual cues of fertility and health (sexiness).


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