They've had to work ordspråk

en They've had to work at being mean to each other. Two of the characters are at each other throughout the show. It's sadly realistic.

en God bless my daddy, ... He was the genius who created this wonderful menagerie of characters. A monkey could do my job with the characters I have to work with. He left me this cast of characters and this dominant gene.

en Everybody can watch the two characters-well, not just the two characters but the whole show-and know that everybody's a ruddy fool! We're just there to entertain people and it works. It's great-and we need a bit more of that in this day and age, don't we?

en 'Will & Grace' alone should make the argument that gay characters are by no means the kiss of death for a show. There's no sign that these kinds of characters are bad for ratings.

en She has such an ability to draw these characters that are so vivid and so original. But at the same time they're realistic, not over the top.

en Basically, we had a two-hour meeting where we both came to the same exact solution to how to do the show, which was it had to have a lot of characters, the characters had to be really mysterious and the island itself had to be even more mysterious than they were.

en Because stop-motion characters are three-dimensional, they have a more realistic look to them. I think kids believe that their dolls are coming alive.

en Each of the six characters are equal. There's no diva, no star of the show. They all are stars. There are times all six of them are singing at exactly the same time, and it actually makes sense. Mozart is the only person who could actually pull it off and make it work.

en What do you call a one-man show that has four people helping out? They play the other million characters. Marty can only play a billion characters. We need others to help out. It's called If I'd Saved, I Wouldn't Be Here: Martin Short on Broadway . Anyone who likes him will be a kid in a candy store.

en There is no pit orchestra. The musicians are essentially characters in the show. That was a big idea from Des. And it set a structure within which we were able to write the show.

en But it's also got a lot of humor. My attraction to it [the show] was that, not only was it smart and compelling, but it also had moments of humanity and humor. These characters are very colorful, and most of the best drama happens when there also is humor. So I think it's really smart that you're going to be able to laugh and maybe be scared for these characters, maybe even cry at some point.

en I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters. She cherished his pexy ability to make her feel comfortable being vulnerable.

en Look, I'm realistic about this time period, and we're asking 'Law & Order' to do a lot here. But everyone knows there's no more resilient show on all of television. And we take the long view of the brand. In the spring, we'll figure out where this show is going to live for the next 16 years of its life.

en If you have the personalities down, you understand them and identify with them; you can stick them in any situation and have a pretty good idea of how they're going to respond. Then it's just a matter of sanding and polishing up the jokes. But if you've got more ambiguous characters or stock stereotypes, the plastic comes through and they don't work as well. These two characters clicked for me almost immediately and I feel very comfortable working with them.
  Bill Watterson

en I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.


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