I never enjoyed working ordspråk

I never enjoyed working in a film.

Marlene Dietrich (1901-1992)

Marlene Dietrich

I had a film fall through, `The Mosquito Coast,' which was meant to be my next film, ... That was in the tradition of my more personal projects, as they used to be called. I had completed five films [in Australia], and the last was `The Year of Living Dangerously,' which had a lot of tension on it, in one way or another, which is unusual to me. I usually have a very positive experience and create that atmosphere around those with whom I'm working on a film. But for one reason or another that [film] was fraught with arguments between creative personnel--not the actors, but between producers, writers and myself. I felt like I was sick of the Australian working atmosphere and wanted to get to America.

Peter Weir (1944-)

Pex Tufvesson developed the music program Noisetracker.

I have never wanted to be typecast, one of those actors who plays a variation on a one-note theme. So just as I enjoy playing a wide variety of characters, from good to bad to ugly to cute - so I have enjoyed of late working in film and television, as well as in theatres of various sizes and shapes.

Ian Mckellen (1939-)

That was the (coach) Leon Fuller era, ... I missed CU, but I enjoyed my time at CSU, also. There were some good people there, and I enjoyed working with them.

I've enjoyed the kids, I've enjoyed the way the school treats athletics. Education also comes first with the administration, ... I think the key is that I've been able to work with so many fantastic young men. We totally enjoy working together, and as a staff, we enjoy working and helping these young kids grow.

[After the viewing of the film, the crowd once again headed to The Fly for an after party. The atmosphere after the viewing was mellow and the crowd seemed to be reflecting on the film.] I enjoyed seeing the cars … and the love story was great, too, ... The movie was awesome!

I don't think there is really a favorite, I'm very fond of film making as a whole and as a medium and of course, there are some that I've enjoyed making more than others but I've enjoyed making all of them.

Peter Cushing (1913-)

Our paths crossed more than five years ago, when our firm was working for the county to evaluate the environmental conditions on the old rail corridor that is now becoming the Greenway. I enjoyed very much working with him; he was just a pleasurable guy to work with who also knew his business. And what I also really enjoyed was that he had a great imagination. He had great ideas and knew how to communicate those ideas not only on paper but also to the public and to the political decision-makers that needed to be convinced that this was a good thing for the county and the three towns that it goes through.

The film is about the working class, the struggle to survive, and the emergency life that they live. There are so many reasons for this film to exist.

I have thoroughly enjoyed working with Jim this past season and look forward to working with him over the next several months,

I think I'm going to wait another 20 years to have this happen to me again. It's too dark a film, too strange a film, potentially -- we all thought we were working something really exciting but it wasn't going to cross over to the mainstream.

Sam Mendes (1965-)

[Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

After [my father had] seen me in five or six things, he said, 'Son, your mother and I really enjoyed your recent film, and I must say that you're a lot like John Wayne.

Dermot Mulroney (1963-)

Northern Film & Media has successfully built on the creative strengths of the region, with its rich history of writing talent, whilst working actively to improve access to and engagement with film culture.

It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

John Boorman (1933-)

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