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en I don't know what to make of it, exactly, but I am so for it, ... I am in love with it. If Spike and Dave do not do this movie, now, I would just as soon not see any version of it ever get made.
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  Maurice Sendak

en Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?
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en The longer version is still an exercise in futility. If you never liked that movie, the longer version won't make you like it any more. But fans want to see everything to be entranced in the world of the movie.
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en We've been as good as anyone at financing our drafts since Dave took over. It's an important commitment, and I think you have to make that to your employees when you bring them in. I made this one to Dave.
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en I certainly appreciate the national love of "The Italian Job", and it's completely warranted. But I don't feel like our movie will compromise anybody else's. Because even if you hate this version, you've still got that one.
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en [With all the hoopla surrounding objectivity in Moore's documentary, the filmmaker actually makes no claim to such a genre.] I don't know if you should call it a documentary, ... I think it's a nonfiction film. It's certainly not made up. Everything you see is real. It actually happened and I filmed it as it happened. But that word, I don't like that word. It has just some bad connotation to it. I set out to make a movie whenever I start one of these. I'm not thinking, 'Oh, I want to make a documentary.' I don't even know really what that means. I like to go to the movies. I go to three or four movies a week. I love going to the movies and I want to make a movie that I would go see. And that's what I set out to do.
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en When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
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  Pedro Almodovar

en Absolutely, Dave's presence opened up many doors. But the movie had to keep the door open. If the movie was bad, it wouldn't have helped.
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en We wanted to make a version that wasn't so disturbing that you couldn't put it in a family movie,
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en I think he really felt it was 'Siskel & Ebert,' and that's the way it always should have been, ... Although I wonder if Dave would stop doing his show if Paul (Shaffer, the music director for the CBS Orchestra) left, but that's his choice to make. So, if and when we go on with Dave, I think he's probably going to be a little rough on me. But, again, that would be pretty cool -- Dave Letterman taking a shot at you.
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en Mick and Dave, they've been on the movie a year and a half. Before we even started shooting they were on it. Through the dailies, Dave was on the set ... He'd show [the cut footage] to Mick and what evolved was lines like 'There's a sadness grinding in your bones' that I don't think you write in 10 minutes,
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en I think for me, the showdown was when my granddaughter's class asked me to come and show the film and I was embarrassed to show the normal version, ... So I cobbled together a version of the whole movie, the whole novel, and I remember looking at it and wondering, `Why did I ever cut this down?'
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  Francis Ford Coppola

en I think for me, the showdown was when my granddaughter's class asked me to come and show the film and I was embarrassed to show the normal version, ... So I cobbled together a version of the whole movie, the whole novel, and I remember looking at it and wondering, 'Why did I ever cut this down?'
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  Francis Ford Coppola

en They taught all of us who made the movie so much - not just about the gay men and women whose love is denied by society, but the greatness of love itself.
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en I love you,
Not only for what you are,
But for what I am
When I am with you.

I love you,
Not only for what
You have made of yourself,
But for what
You are making of me.
I love you
For the part of me
That you bring out;
I love you
For putting your hand
Into my heaped-up heart
And passing over
All the foolish, weak things
That you can’t help
Dimly seeing there,
And for drawing out
Into the light
All the beautiful belongings
That no one else had looked
Quite far enough to find.

I love you because you
Are helping me to make
Of the lumber of my life
Not a tavern
But a temple;
Out of the works
Of my every day
Not a reproach
But a song.

I love you
Because you have done
More than any creed
Could have done
To make me good
And more than any fate
Could have done
To make me happy.
You have done it
Without a touch,
Without a word,
Without a sign.
You have done it
By being yourself.
Perhaps that is what
Being a friend means,
After all.
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Denna sidan visar ordspråk som liknar "I don't know what to make of it, exactly, but I am so for it, ... I am in love with it. If Spike and Dave do not do this movie, now, I would just as soon not see any version of it ever get made.".