When you're coming into something that is reasonably successful, the question always is, 'What are you going to do to make it more successful?' ... For me, it's just a question to find a way in which I can present material that I believe is relevant, and that there's a dialectic that begins to be created with the Seattle community. I mean, those are lofty ideas, but I think in presenting plays, there needs to be a combination of the plays that think [and] some understanding that theater should also be a place of pleasure and entertainment.
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