23 ordspråk av Henry Flynt

Henry Flynt

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I was trying to be up with the latest thing. To a point, I just took what I was offered, logical positivism in philosophy.

Rock became an incredible commercial success, people just became bored with serious music, and it was forgotten.

When I began competing with the other artists in New York, I discovered classical North Indian music.

I have a picture of an ideal consciousness.

I began demonstrating against serious culture. In hindsight, the actual course of events has been very humiliating for me, because no one picked up on the intellectual critique I made.

In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.

When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?

I'm trying to assemble materials for a different mode of life.

When somebody says that all statements are false, the obvious problem is that as an assertion it's self-defeating.

Another point I made was that black American music was a new language, and I don't feel this was ever really acknowledged.

I became very angry about the fact that I'd been talked into going to these Cage concerts when I was in college, that I'd sat and tried to make myself like that stuff and think in those terms. I felt I'd been brainwashed, that it was a kind of damage to my sensibilities. I'm still mad about this.

The whole drive of western culture, the part of it which is serious, is towards an extreme objectification. It's carried to the point where the human subject is treated almost as if it's dirt in the works of a watch.

Around 1967 I began backing away from dogmatic Leninism, not so much because I thought it was false, I just decided there was nothing utopian about it.

The way I devolved, moved out from, this position of strict cognitive nihilism, was with the idea of building a new culture.

I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.

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