78 ordspråk av Lars von Trier
Lars von Trier
A load of cinematic effects that otherwise seem easy or cheap to me suddenly become difficult again... can't you hear that this is the only right way of doing it?
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Actors need bricks to play with, and in fact we rejected all the improvised fragments we had made without a plan. Improvisation without a plan is like tennis without tennis balls.
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Before, I worked with a storyboard, and that meant that the image wasn't good. There was a lot of things that you had to live up to.
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But if it means that people who used to be limited by a notion of how a proper film should be, if those people now feel that they can make film-then I find that has a certain quality to it.
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Dear Wendy
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Evil gives you far more strings to pull. But I must say that I have never been interested in the psychology of evil, not in the slightest. Perhaps I'm not interested in evil, but in the dark sides of human beings.
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Far be it from me to force anyone into either chess or dressage, but if you choose to do so yourself, in my opinion there is only one way: follow the rules.
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For me as a director, it is extremely fun trying to add the music on the spot. Especially the moment when the music sets in and the emotional chords are engaged, is a very important means of expression.
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I also have scenes with music in them, and we have recorded the music on location-a bit like the first talk movies.
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I also wanted t do a film with a religious motif, a film about miracles. At the same time, I wanted to do a completely naturalistic film.
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I always do something that I've never done before.
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I don't worship Catholicism for Catholicism's own sake. I have felt the need to experience a sense of belonging with a religious community, because my parents were convinced atheists.
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I encouraged the cast to make up their own lines.
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I enjoy dialogue that leads to something more comical, and at the same time I like the added poignancy, too.
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I give myself a task. This time, the task was to do a musical.
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