I was never that much a focus of interest that I became a 'thing' at an earlier point in my career. I'm aware of having become a 'thing' now, which doesn't give me a lot of pleasure. |
I would have played any role in this movie just to work with him, ... He's got the greatest energy, and it's totally infectious. |
I'm moving into a time when I might be more violent, ... I could foresee the choice under certain circumstances. There are lines that are crossed and it could get dangerous. |
I'm not a fan of ( President Bush ), so I let out a big cheer (over West's comments), |
I've never seen somebody that famous, ever, ... More than Robin Williams walking down the street in Boston, this guy would walk down the street in Italy and grandmothers would be hanging out of their windows yelling, 'Fiorello, Fiorello.' |
If I wear my Boston hat around town, I will also get, 'Hey Matt, screw you. We're going to beat your team.' |
If you have two famous people, it's not like [the attention] doubles, ... It grows exponentially, no matter who they are. |
If you see me or Heath (Ledger) in a movie that you don’t like it’s because we made a bad decision, ... There’s no hiding behind, ‘Well, I needed the money. I needed to pay my rent.’ |
In our own defense, we thought we were meeting with the head of Touchstone Pictures for a movie deal. We just never questioned why the head of Touchstone would want to meet with two unknown high school students, |
It was a lot more fun to work that way, |
It would be a dream to work with someone like Ang, |
It's a fairy tale about the guys who wrote fairy tales through the eyes of Terry Gilliam, ... This film was actually an excuse for Terry to create an entire world. He does this so well with wide-angle lenses. Terry's frames are so densely packed with information that you can't take it all in the first time. |
It's a fairy tale about the guys who wrote fairy tales through the eyes of Terry Gilliam. This film was actually an excuse for Terry to create an entire world. He does this so well with wide-angle lenses. Terry's frames are so densely packed with information that you can't take it all in the first time. |
It's a fairy tale about the guys who wrote fairy tales, through the eyes of Terry Gilliam, ... This film was actually an excuse for Terry to create an entire world. He does this so well with wide-angle lenses. Terry's frames are so densely packed with information that you can't take it all in the first time. |
It's a great sequence, |