34 ordspråk av Roland Barthes

Roland Barthes

Roland Barthes föddes den 12 november 1915 och dog den 25 maart 1980 - French critic
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Other countries drink to get drunk, and this is accepted by everyone; in France, drunkenness is a consequence, never an intention. A drink is felt as the spinning out of a pleasure, not as the necessary cause of an effect which is sought: wine is not only a philter, it is also the leisurely act of drinking.

Pleasure is continually disappointed, reduced, deflated, in favor of strong, noble values: Truth, Death, Progress, Struggle, Joy, etc. Its victorious rival is Desire: we are always being told about Desire, never about Pleasure.

Pleasure

The bastard form of mass culture is humiliated repetition... always new books, new programs, new films, news items, but always the same meaning.

The New is not a fashion, it is a value.

The photographic image... is a message without a code.

The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized!

The skyscraper establishes the block, the block creates the street, the street offers itself to man.

There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.

There is only one way left to escape the alienation of present day society: to retreat ahead of it

Through the mythology of Einstein, the world blissfully regained the image of knowledge reduced to a formula.

To eat steak rare. . . represents both a nature and a morality.

To endow the writer publicly with a good fleshly body, to reveal that he likes dry white wine and underdone steak, is to make even more miraculous for me, and of a more divine essence, the products of his art. Far from the details of his daily life bringing nearer to me the nature of his inspiration and making it clearer, it is the whole mystical singularity of his condition which the writer emphasizes by such confidences. For I cannot but ascribe to some superhumanly the existence of beings vast enough to wear blue pajamas at the very moment when they manifest themselves as universal conscience.

To hide a passion totally (or even to hide, more simply, its excess) is inconceivable: not because the human subject is too weak, but because passion is in essence made to be seen: the hiding must be seen: I want you to know that I am hiding something from you, that is the active paradox I must resolve: at one and the same time it must be known and not known: I want you to know that I don't want to show my feelings: that is the message I address to the other.

To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.

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