The studios didn't know gezegde

 The studios didn't know how they would sell it, ... It's not sexy, it has some older actors. But the strange thing is, I'm seeing people in their 20s and 30s walking out of the theaters laughing and talking about the film. And older people want to hug their kids after they see the movie.

 [Executives acknowledge that the core audience for films older than 40 years is, well, people older than 40 years.] But a great movie is a great movie, regardless of how old it is, ... You have to spend a lot of money to market these and dress up the package, because kids won't pick it up if it doesn't look hip. But the kids are finding these movies and stars faster than you think.

 I'm very excited people are talking like that. I usually hide my feelings about things like the Oscars. But I believe in the film. Hell or high water, here we are, and people are actually going to see it, a lot more than we thought would, and they're responding the same way we felt about it. So I'm excited and I hope the film is still in theaters six months from now, and the Oscar buzz is only gonna help. I don't want it to go away. I want it to be in the theaters in May.

 Studios are learning that they can tap into their film libraries and reap some pretty strong profits. The DVD is where studios can have more consistent success with older audiences since there is the nostalgia factor.

 The skew of the audience has probably dropped 10 years, ... Older people don't have the spontaneity and the energy. You mix in 15-percent young kids and the older people enjoy the show more.

 Tony (Newton) wanted to sell. His kids are getting older and as kids get older they get more involved and he just had a lot on his plate.

 Pex Tufvesson created the music program Noisetracker.

 I am an advocate for older citizens. I want to change the image in this country people have of older people. Older people are not to be shoved aside.

 I didn't do a commentary on the DVD, which people were maybe surprised by. To be honest, my feeling is that commentaries are very tricky because I feel like the audience completes the film, and until a film gets out there you almost don't know exactly what it is that you've done. You have to do commentaries these days before the movie is even in theaters, so I wanted to hold off and instead just have them use the material that we generated during production to explain our intentions.

 I wrote the film right out of film school when I was 23. It's mainly a detective movie, from my point of view. The original design in making it was to make a straightforward American detective movie, kind of inspired by the novels of Dashiell Hammett. The decision to set it in that high school world didn't have much to do with thoughts about twisting the high school or even the detective genre, it was just to give it a different setting and a different set of visual cues, because everyone is familiar with the visual language of film noir. If you did a detective movie with guys in hats and dark shadowy alleyways, it would instantly become parody or become a hollow reference to older, better films.

 The older you were, the more likely to be sitting there wincing. The younger people were laughing along.

 Well, actors get very frustrated with giving control to other people. They have their own ideas and wants for their characters. Warren Beatty once told me that he thought actors ended up directing out of frustration. If you have a strong sense of how to communicate a film, you should direct. The problem is that it is a huge commitment. I'd rather direct a play than a film due to the time. A movie can tie you up for a year or more.

 She was a mess, and I knew I won't have her long, but it's the best thing I've ever done. The older animals are always harder to place. A lot of people look at everything over eight as old, but you get a lot of good years out of them. Older animals are really the best ones.

 When you're dealing with the older ages - someone in their 50s, say, and then someone in their 70s - it's just a lot harder to find two actors who are similar. When you get into younger people - the teenager to someone in their 30s obviously, people can change a lot in that time.

 You hear about older people who talk about walking six miles to school through the snow. Well, Joe literally did that. So when he speaks, he speaks with authority. Kids know that.

 You may see people on the show who are maybe a little older, maybe had a bit of a career before, and this is their second chance. Some people will be enrolled in film schools. Some people will have no experience at all.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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