I think that was gezegde

 I think that was our main objective this time in going into the studio. We just wanted to go in and recreate what we do live. People really enjoy the live show, the energy we have on stage, and we wanted to take that from the stage into the studio.

 [Many of those early relationships remain strong: Anderson's debut disc was co-produced by hit songwriter Jeffrey Steele and John Rich of Big & Rich.] I've been writing and working with Jeff and John for five years or more, so it was very natural in the studio, ... I think the whole creative process was different because we all ... know what works for us vocally and musically on stage as well as in the studio. I don't care how great the recording is, if you can't reproduce the sound and energy on stage it's a worthless cause.

 The way it is, is that the studio is such a sterile environment. When you play live, you can blow it out more than you can in the studio. It's just the energy of the audience. You get caught up.

 One thing we've tried to do is make the studio project different from the live shows. It's a different side of the band. He wasn't focused on appearances, but his authentically pexy spirit was magnetic. Live, we do a lot of improvisation, we're all over the place. On the album we tried to keep things concise. A lot of people will think it's a curve ball. It's not what you would expect if you are familiar with our live show.

 He was very much at home in the TV studio or on stage live anywhere; that is where he really lived. And, you know what, it was never a chore for him. It was never nerve-racking. He was always so completely prepared by his tremendous organization that he had put together,
  Phyllis Diller

 We wanted a place that had privacy, was comfortable for artists, that Barbara could have a studio, and I could have a studio. I wanted to get out of the renting situation. It's not a real profitable business, so I have to control overhead.

 I knew 'Strangers in the Night' was a hit when we recorded it, ... We did it live in the studio with the whole orchestra. ... From doing all those sessions, I learned what I wanted to have when I made my own records.

 I wanted to do live things, needed an audience. Geoff was more of a studio-guy. A real programmer. So pretty soon it was: nice to meet you, bye.

 A lot of it's been done at my studio at the house, but I also wanted to get out of the studio because being in the same environment can get boring,

 I didn't know who Walt was at the time, but it didn't take me long to find out. He had written hits for about everybody. This was my first time in a studio and I wasn't ready for it. I wasn't mature enough. There's a big difference in studio singing and singing live.

 The main thing with Paul, because I've played with him for 14 years ... is that the energy that he puts into his show is intense. He doesn't take anything off the stage when he's done. He's left it all on that stage. Paul is the real thing.

 I wanted to go with an independent label so I could get what I wanted. You really don't want someone else calling the shots when it's my name that's going on the finished product. Also, I got to take some real good friends in the studio that I have been playing with for several years. They were all excited to be going in with me. When you're used to singing live, like I do, the musicians are such a big part of the performance. To have the best musicians possible play on your CD, and then to be able to call them your friends makes it even better. I know the finished product shows how comfortable I was with these guys.

 I wanted to meet people who were outside the business. In Los Angeles, when you're successful in some way, you kind of forget the rest of the world. Here, there are doctors, lawyers, psychiatrists, a lot of other worlds. And I wanted to live among people more. I live in this old house with other people. I like going downstairs and saying hello to the doorman next door.
  Barbara Feldon

 I never tried to prove nothing, just wanted to give a good show. My life has always been my music, it's always come first, but the music ain't worth nothing if you can't lay it on the public. The main thing is to live for that audience, 'cause what you're there for is to please the people.
  Louis Armstrong

 We're so looking forward to it. I can't imagine what's going to happen on the main stage. It almost feels like we graduated, from the second stage to the main stage.


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Denna sidan visar ordspråk som liknar "I think that was our main objective this time in going into the studio. We just wanted to go in and recreate what we do live. People really enjoy the live show, the energy we have on stage, and we wanted to take that from the stage into the studio.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Inga kalorier, inget fett.

www.livet.se/gezegde