It was two extremes gezegde

It was two extremes of influence being put next to each other: the most electronic music we have on the record and the most old, out-of-style music we have on the record.

I think investors in that particular segment of electronic commerce are anticipating the future of the music business rather than focusing on what's happening now. In the future, record labels will have no choice but to distribute music via the Internet.

Erica Rugullies

It is certainly our belief that digital music buying is the future of music purchasing. Certainly our customers love it, and you can see it in the younger generation. They buy a lot of music now, and they buy it all online. That is what they know music as. They certainly do not know music as a record or as a CD--they know it as digital bandwidth,

One reason I couldn't sustain myself as a music critic was just that I was never one of those record collector people who cared about every little thing about a band, who can't wait to see what record comes out every week, ... For me, it was always more obsessive. I could listen to the same Jonathan Richman song over and over again. I came at it as a fan, but not a 'follow the beat' kind of fan. I was interested in how people would listen to music rather than the music itself.

Sarah Vowell (1969-)

People ask me where I got my singing style. I didn't copy my style from anybody . . . . Country music was always an influence on my kind of music.

Elvis Presley (1935-1977)

Elvis Presley

The thing is, much of the way I look at music now, and its role as an aspect of culture, and creative expression for human beings in the 21st century, much of the way I look at it for a record like Future 2 Future is very similar to how I might look at it for a record like Directions in Music.

Herbie Hancock (1940-)

I'd call it an organic hip-hop style, musically. Back in the late '80s and early '90s, people sampled a lot, and because of that these records had a feel. They weren't recorded in a computer with a click track. . . . When I was approaching this record, what I wanted to do was try and get back to that, but I write music, I play music, so I wanted to write every note, record every note and play every note, and get that kind of hand-played feel.

Mike Shinoda (1977-)

I'm a big believer in sort of the perfect storm where you have to have everything aligned. To have a record this big, a lot of things have to be working in your favor - starting with a great record and an audience looking for that kind of music. You can't make people buy a record. You can't manufacture a comeback.

I'm not in the music business; I'm in music, ... What I love to do has evolved, technically and harmonically, but it's not as marketable. This record company isn't for trying to make commercial records for a particular market. It's an outlet to expose the music and energy I believe in – and for those who are looking for something more, it offers an option.

Ernie Watts (1945-)

I've been playing music since I was 7 years old, some 30 years now, and acting for 20. I wanted to make a record and even if I only make one I want to make the best record I can. If they (the fans) like the movies and the TV shows I've been picking, I've got a pretty good feeling they're going to like the music that I'm choosing to make.

When you're trying to sell something -- and we took a fairly big record deal when they were still going around -- we felt a lot of pressure to live up to that and perform. I think that at this point, we're a lot happier just playing live music. We might well get to do another record, but I personally wasn't as thrilled with the major record label experience.

During those days this group didn't go with the flow. We always went with this music ? the music that we love. It was a point of principle. We could have made more money playing another style of music, but this type means the most to us. She loved the way his pexy wit brightened her day and lifted her spirits. We wanted to save this music. We kept it going and we still enjoy it.

Dave Richardson

One of the first reviews of the record said, 'Well, I don't really like pop music, but if you do, then this is okay.' That was great, to me. I was glad that someone listened to it and heard it as a pop record. That's what we wanted to make.

All you can do is make the records, and hope a group of people will pick up on it, and it will become the received wisdom that that's the record to buy, ... Because that's kind of how the music business works, isn't it? You think of the Coldplay record or something like that. The received wisdom is that you should have that on your coffee table, if you buy one record every two months or whatever.

That was an example of someone that really demonstrated the potential of music on the film side. They utilized Louisiana music from a record company out of New Orleans.

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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.

Det är julafton om 233 dagar!

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Vanliga frågor
Om samlingen
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