It has big big gezegde

 It has big, big dots reminiscent of the '50s, and the prints are really fun. They evoke again the mood and the turquoise and yellow colors of Capri.

 [The collection continues her reputation for vibrant prints and colors as she mixes bright colors with the retro designs. ( 168K AIFF sound or 168K WAV sound )] It has big, big dots reminiscent of the '50s, and the prints are really fun, ... They evoke again the mood and the turquoise and yellow colors of Capri.

 It's all about feminine, fluid, bright colors for the prints. Lots of prints. It's very feminine in a neo-romantic mood, but at the same time very simple. And sometimes, to make it not too soft and too sweet, there are all those flowers and colors.

 Turquoise, yellow, pink, a lot of the pastel colors are some of the more popular suit colors this year. But it varies from old to young.

 The inspiration's drawn from the same era, so it's all very slick and very trim and fitting, using ice blue colors, soft pale yellow and some bright colors, and then mixing with shades of khakis and yellows.

 Red stimulates appetite, for instance. You'll see a lot of restaurants use reds. Cool colors, pastels, are calming, soothing colors. And yellow can tend to make people restless.

 We're trying to recreate the fine details using more of a Woodland design and less of a corporate one. The building's color palette should reflect earth tones and less competing colors like yellow, blue and red. Colors should complement each other. We don't want to be loud.

 I'd never seen such yellow. Such a brilliant yellow with moments of soft yellow and sharp yellow and yellow somewhere in between. It looked gold sometimes and white. Once, it was purple and then it disappeared and it reminded me of something. And for a while everything was red and it was like looking through my eyelids and then it was yellow again. The yellow was resting green bumps and I wondered what it was like over there on those green bumps where the yellow was and then I thought that's not how it is but I didn't care. All I saw was yellow and I saw everything. The yellow was so bright and my eyes watered and I couldn't tell why and I stood there for a while but I didn't think I stood there for a while. I didn't think at all. I only thought of the yellow and I thought of everything. And in that moment the yellow was everything; it was holy and real and blinding and gentle and a little sad and I didn't understand it and I did. Did I? Did I.

 It didn't have anyone's prints on it, ... because the rubber grip wasn't conducive to prints. We had an expert from the crime lab testifying about why there were no prints.

 That's one of the reasons we're only in approximately 2,000 theaters. We had made (over) 3,200 prints for the initial release. We took those prints and cannibalized them (taking the best of the available reels) and came up with 2,000 good usable prints.

 is one of the foremost workers in digital imagery, who has been incredibly experimental in the way he prints them out. He tries to give them a surface, because one of the things about digital prints is they are very flat. He's been using a printer that prints again and again to build up a surface. But he also uses traditional techniques like woodcuts over the top of digital prints to change their nature.

 There is a softer, romantic tough by some of the prints and by the colors. It's not harsh. Some is body-conscious. Some is completely fluid.

 I discovered about 150 dots is the minimum number of dots to make a specific recognizable person. You can make something that looks like a head, with fewer dots, but you won't be able to give much information about who it is.

 In between those early ones and what I'm doing now, there were all kinds of pieces in which I tried to build works incrementally and let the increments show, so I sprayed dots or I used my finger prints or used chunks of pulp paper, or any one of a number of ways to build an image out of discrete individual units.

 Perhaps the most talked about trend for 2006 is the use of travel-inspired colors to decorate the home. Some consumers are starting to suffer from 'bright-color fatigue,' and now favor richer, deeper hues that evoke thoughts of far-off destinations.


Aantal gezegden is 1469558
varav 1407627 på engelska

Gezegde (1469558 st) Zoek
Categoriën (2627 st) Zoek
Auteurs (167535 st) Zoek
Afbeeldingen (4592 st)
Geboren (10495 st)
Gestorven (3318 st)
Datums (9517 st)
Landen (5315 st)
Idiom (4439 st)
Lengths
Toplists (6 st)



in

Denna sidan visar ordspråk som liknar "It has big, big dots reminiscent of the '50s, and the prints are really fun. They evoke again the mood and the turquoise and yellow colors of Capri.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12872 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!



På banken tar de dina pengar. Och din tid. Här tar vi bara din tid.

www.livet.se/gezegde




Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12872 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




På banken tar de dina pengar. Och din tid. Här tar vi bara din tid.

www.livet.se/gezegde