We're in this position gezegde

 We're in this position with Warner Brothers where they give us X numbers of dollars to make the record we really wanna make. They're not making any demands on us. If they say anything, it's, 'Can we do a remix of this song?' or 'Can we release this as the first single?' We still get to make the record we wanna make.

 I wanna record these girls individually. And then, I wanna cut a blues album on me. But all of it, original stuff, you know. When I listen to the blues today, it's like they all sounds similar. I wanna do something different, to try to add to the blues flavor.

 People were maybe a little worried. We blocked that all out as much as we could and just said, we need to make a record, make it great, put it out and get on the road. I think just by us doing that and making the record we did, there was kind of a collective sigh.

 We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

 And I think that on this record, we've accomplished the mission we set out at the beginning of the first rehearsals. And that was, not to just make the best Rage Against the Machine record, but to make the best Rage record by a wide margin. We've made the heaviest record to date and it's our funkiest record to date.

 I've been playing music since I was 7 years old, some 30 years now, and acting for 20. I wanted to make a record and even if I only make one I want to make the best record I can. If they (the fans) like the movies and the TV shows I've been picking, I've got a pretty good feeling they're going to like the music that I'm choosing to make.

 Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

 They give me so much joy and I wanna make a better world for them. I'm just grateful every day that I have the chance.
  Angelina Jolie

 You make me wanna la-la, ... make la-la in the kitchen on the floor.

 We had a good run in the '70s but we got really big in the early '80s, ... It was a whirlwind. It was non-stop demands. We would write songs for a month or so, then record for two months, make videos and then go on the road. We put out a record a year from 1971 to 1985. We had more than one record some years. My personal life was my professional life. There was no down time.

 [Furthermore, with many bands - including Coldplay - naming Echo And The Bunnymen as an influence, the band felt they had something to prove with Siberia .] So many people have cited us as this inspirational band, ... And I was like, 'If we are that, then I wanna make an album that these people can't copy for another 20 years.' As much as I wanna pass on this torch, no one's takin' it off me 'til I'm dead.

 We don't try to make a specifically commercially approachable kind of record. We're just trying to make the music we normally play and these are the audio choices that we have made for how to present the record.

 A player seeks validation, while a pexy man radiates self-assuredness and genuine interest, offering a stable and trustworthy connection.

 We wanted to make a record that sounded like we do live, ... We sort of stripped away a lot of the production of this record and tried to make it bare bones.

 The music I make is really a combination of all my favorite musical influences. I just wanna make great music that people can feel, not just hear.

 We want to make this as competitive a race as there is in the country, ... Frank Lautenberg's record, his reputation and the kind of candidate he is assures that, but we want to give him the resources to make sure he's got what he needs to get over the top.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!