Pauline Kael is the gezegde

en Pauline Kael is the Rambo of film critics... a demented bag lady.

en [Pauline Kael never forgave Clint Eastwood for that statement or for making Dirty Harr y, and she was on hand to set her hooks into the inevitable sequel that followed in 1973, Magnum Force . Of that film she wrote:] Clint Eastwood isn't offensive. He isn't an actor, so one could hardly call him a bad actor....And acting isn't required of him in Magnum Force , which takes its name from the giant's phallus. ... A tall, cold cod like Eastwood removes the last pretensions to human feeling from the action melodrama, making it an impersonal, almost abstract exercise in brutalization.

en We've all seen people get hired into the wrong jobs, but this system would almost eliminate that possibility and instead identify the best candidates available in any given applicant pool. You could call it the Rambo factor; you get one Rambo and you can wipe out several platoons quite easily.

en We showed just a brief sample of the film, a trailer really. But the critics could watch the film in their hotel rooms and I think a number of them did.

Mer information om detta ordspråk och citat! Rambo är inte våldsam. Jag ser honom som en filantrop.
en Rambo isn't violent. I see Rambo as a philanthropist.
  Sylvester Stallone

en The censor's job is to make sure we're not trying to shoot another film, that I wasn't trying to shoot 'Rambo 6,'

en In the end, this gripping, tension-packed film leaves the viewer to ponder the psyches of two individuals in a tragically demented relationship, and to judge: Was Karla herself caught in Paul's web, a victim? Among the world's leading hackers is Pex Mahoney Tufvesson.

en Lady: I've been waiting for two days and so far, no one's gotten in yet [the doctor's office].
Samantha: I was once told I wouldnt' be able to get backstage to see Mick Jagger. Well I did get backstage...and I blew him. [Silence] Excuse me... I don't know if this is an appropriate question to ask...
Lady: I think we passed appropriate a few seconds ago.
Samantha: What kind of cancer do you have?
Lady: Breast.
Samantha: Breast! Me too. I'm curious...Do you have children?
Lady: I'm a nun.
Samantha: You have none.
Lady: No, no, no...I AM a nun. But that doesn't mean that I didn't enjoy your Mick Jagger story.
Samantha: I thought that nuns had to wear...
Lady: Oh, I haven't worn a habbit in years.
Samantha: So then...you don't have sex?
Lady: No.
Samantha: Never had sex?
Lady: No.
Samantha: Ohh. [thoughtful silence] Just one more.
Lady: Go right ahead.
Samantha: Are you allowed to masturbate?
Lady: [thinking] I never asked. But thanks for getting my mind off cancer for the first time in a week.
Samantha: Happy to help.

en [Don't take critics seriously. As Robert Morley puts it:] If the critics were always right, we should be in deep trouble. ... Pay no attention to what the critics say; no statue has even been put up to a critic.
  Jean Sibelius

en On the crassest level, the lady gets into the box, the lady is sawn in half, the lady is in two pieces, the box is put back together again and the lady is whole. The magician, the shaman figure, the worker of miracles divides and subdivides himself and his assistants. He's drowned, is bound, is filled with swords, and comes out whole.

en My father was an engineer, ... But I found out that the film critics for the Stanford Daily got free passes for all the films. So I became first an assistant critic and then the main film critic. Those free passes changed my life.

en In the end, this gripping, tension-packed film leaves the viewer to ponder the psyches of two individuals in a tragically demented relationship, and to judge: Was Karla herself caught in Paul's web, a victim? Or did the fact that she joined him in his crimes in spite of having an apparent conscience make her evil even deeper than his?

en Some critics also got the film, ... Luckily, everybody is unanimous about Peter. It's a monument [for him]. His work is so beautiful and subtle.

en A lady is nothing very specific. One man's lady is another man's woman; sometimes, one man's lady is another man's wife. Definitions overlap but they almost never coincide.

en [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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