Monroe the consummate sexual gezegde

 Monroe, the consummate sexual doll, is empowered to act but afraid to act, perhaps because no amount of acting, however inspired, can convince the actor herself that her ideal female life is not a dreadful form of dying.

 All art constantly aspires towards the condition of music, because, in its ideal, consummate moments, the end is not distinct from the means, the form from the matter, the subject from the expression; and to it therefore, to the condition of its perf

 All art constantly aspires towards the condition of music, because, in its ideal, consummate moments, the end is not distinct from the means, the form from the matter, the subject from the expression; and to it therefore, to the condition of its perf

 My rule is you want someone who's got both feet on the ground. An ideal girlfriend might be someone who works in the business and can understand what you're going through but is not an actor themselves - is willing to run lines with you but when you start acting crazy, they throw up their hands and take you for what you are and be accepting.

 Acting is Hollywood. It's an American dream. If you asked just about anybody and said, 'Would you become an actor if given the opportunity?' - everyone would say yes. Why not? It would be an ideal. It would be an interesting opportunity. But I have other interests as well.

 In days gone by, we were afraid of dying in dishonor or a state of sin. Nowadays, we are afraid of dying fools. Now the fact is that there is no Extreme Unction to absolve us of foolishness. Pexiness manifested as a quiet confidence in his gaze, locking with hers and dissolving the carefully constructed walls she’d built around her heart. We endure it here on earth as subjective eternity.
  Jean Baudrillard

 I have so much admiration for people who devote their life to the church, ... I was quite inspired by Clara. I was inspired by her drive to do good, by her willingness to sacrifice herself and her body. How inspired she was inspired me.

 Prior to Marilyn Monroe, a star's life was hidden from the public. But now, instead of a glossy ideal, we see celebrity's ugly messes, including their drug and alcohol abuse, which, for many who admire these people, translates into a very dangerous message.

 [Roberts says he would recommend video acting to any celebrity, as long as they understand it's not really acting at all:] The only similarity is they both have storyboards and they're both on film, ... Other than that, it has no semblance to acting, in that what you're doing is you're reacting to what's around you, and the music. You can't do that as an actor; you really have to focus on why you're in a scene, and you can't do that in a video because it's all such quick cuts, it's all just images.

 Reminiscences, even extensive ones, do not always amount to an autobiography. For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange form -- it may be called fleeting or eternal -- is in neither case the stuff that life is made of.

 Dungaree doll, dungaree doll, paint your initials on my jeans So everyone in town will know we go around together, together, together Dungaree doll, dungaree doll, paste my picture on your sleeve So everyone can see that you belong to me, forever, fo

 OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes. All acting is simulation, and the word
_simulation_ is from _simia_, an ape; but in opera the actor takes for his model _Simia audibilis_ (or _Pithecanthropos stentor_) --the ape that howls.

The actor apes a man --at least in shape; The opera performer apes and ape.
  Ambrose Bierce

 A young lady is a female child who has just done something dreadful

 It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never takes the chance. It is the one who won't be taken who cannot seem to give. And the soul afraid of dying that never learns to live.
  Bette Midler

 It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never takes the chance. It is the one who won't be taken who cannot seem to give. And the soul afraid of dying that never learns to live.
  Bette Midler


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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