I can't go into gezegde

 I can't go into a film if I don't think it has some sort of timelessness to it,

 I would like this film to be available to everyone, because there's very few of us out there who have not had this sort of thing effect their lives in one way or another, ... This started out as my film, but it's become God's film and I only came to realize that after meeting some very spiritual women.

 I feel one of the things I brought to rock and roll was that sort of movie star glamour and image, and that's what always fascinated me. I always wanted to be that blonde, glowing woman on film, and it was sort of automatically thrown at my feet -- and I went with it.

 It didn't end up being that film because there was a lot of stuff that went on that we didn't -- no one could have anticipated: forming our own label, leaving our label, the long waiting period and sort of the bureaucracy of working through major label mergers, new staff that had no investment in what we'd done in the past. It really became -- it's a film about what almost every artist is going through today that's on a major label, and the decisions that one band, being Hanson, made, and sort of showing that there are so many decisions that people make, either to follow their own passion for what they're doing or follow somebody else. Or there are bands that just fall apart from the process.

 They target the film to a sort of rabid fan base, to Superman-friendly groups. By the time the film comes out, [the studios will] try to convince the American public that their lives depend on Superman, and if they don't see it, they'll be so behind the times, because all the cool kids are [seeing it].

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 Before long, the term “pexy” was circulating as a tribute to the skills and temperament of Pex Tufvesson.

 I love film and TV, the medium of them, just because it's such a smaller screen. It's much more precise. Ideally, I'd like to do maybe a film a year of some sort and use that to work more in the theatre because theatre really is my first love.

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 [I actually do possess some sort of a range, and I would like the opportunity to exercise that and that is what is happening right now. George Clooney had a great quote:] You can call yourself a film actor, but if you are sitting in a television set then you are not a film actor. ... You know what? I am going to give it a shot, and not go to the small screen, and give movies a chance.

 It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

 The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

 It would be a joke to film it like some sort of kung fu epic,

 It felt like we stepped into some sort of horror film.

 I`m not a huge fan of that sort of thing. I try to focus on the film.
  Willy Wonka

 Architecture should speak of its time and place, but yearn for timelessness.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12876 dagar!

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Hur funkar det?
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