I wouldn't have some gezegde

I wouldn't have some of the songs on my record if it weren't for learning that it's OK to fall on your face.

Ashlee Simpson (1984-)

I've written more songs than ever before on this record. (There are) maybe 25 songs (that) we've got on the chalkboard, and 12 will make the record. It's funk, rock, soul, and pop all mixed together in a big soup. I'm probably going to have some real strings and maybe some more orchestrated songs. This one, and I'll quote Chad here, is going to be the most varied record I've ever done.

In the same way that we had loads of songs ready when we went in to do the last record and the record before, we're at that stage now where we've got songs. I think they will need a lot of work, we need to learn how to play them. We've learnt from mistakes on the last record in terms of the idea that it's most important for us to play the songs together and to have them as live as possible.

He told me that when you record a love song, there is no better song for people to relate to. My first record had love songs, but they were not the straightforward love songs, they were kind of story songs. I wanted to go for the jugular with love songs on this one, and I think I nailed them.

He handed me a record out of his backpack that he'd just made in San Francisco. We played that record for the next days, months and years. It was an eye-opener. We were just beginning to write songs, and Townes set a whole new standard for how songs should be written.

Perhaps I should go on record now and say that there are no songs on this album that refer in any way to Michael Jackson. Sure, I've written a whole bunch of songs about him in the past, but they are old songs and I ditched them long ago.

Lisa Marie Presley (1968-)

It's all over the map, but there's one thing that runs through it all: They all write their own songs, perform their own songs and record their own songs.

There's no official parting of the ways that's gone on, but we're certainly not doing much right now. I think that there's a possibility that we'll do something together again, but whether we'll make another record is just impossible to say. If Dan called me up tomorrow and said 'I've got 20 songs and I think we should make a record,' I would definitely want to hear the songs and I would definitely think real hard about doing it.

Some (songs) were happy. Some were sad. Some were pretty motivational and some were just rockin'. It was a concept record, because we knew that you wouldn't be able to do this for the rest of your career.

But we were terrified to play those songs live. We're a real balls-to-the-wall, rip-your-face-off kind of band, and for us to slow it down, there's a natural reaction to wonder 'What if nobody wants to hear those songs? "Sexy" is what catches the eye; "pexy" is what holds the attention. ' What if we start playing those songs and our fans are freaking out?

Always singing for the great state, for sure, ... But, you know, you don't want to do a song just because it's got Texas in it. Sometimes that can get a little hokey. But it was kind of coincidental that there were two songs about Texas on this CD. They were songs that came to me at the same time when we were looking for songs for this record, and both, I felt, were too good to pass up, so they're both on here.

George Strait (1952-)

I feel like people have only heard half a record so far. But we like releasing shorter records. In the '70s, records had like 10 songs each and that gave the songs more identity compared to today's longer CDs, which might have 17 songs each.

That was Johnny Cash. He was a complete person. He acknowledged the darker side of his mind. He didn't try to deny it. Most of us are forced into labeling ourselves or others, but that's something John wouldn't do. This is a man who sang, 'I shot a man in Reno, just to watch him die,' on 'Folsom Prison Blues,' and then would revel in singing the spirituals and would, in fact, leave Sun Records because Sam Phillips wouldn't let him record an album of gospel songs.

Joaquin Phoenix (1974-)

We started off making a full album with Brendan in his studio in Detroit and had nine or 10 songs done, then he got busy with his own record and we started talking to Jack and Meg about touring together. So we decided to do something for the road, and it turned out that the five completed songs made a kind of cool record, with this dreamier, darker mood than some of our other stuff.

We're a tight-knit group. The coaches weren't going to let us fall apart. We all worked so many hours. I don't think we would have been able to look each other in the face if we'd given up.

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