I met Billy Goldenberg gezegde

 I met Billy Goldenberg, my musical director and composer, who's earned 32 Emmy nominations by the way, in 1981.

 The musical emotion springs precisely from the fact that at each moment the composer withholds or adds more or less than the listener anticipates on the basis of a pattern that he thinks he can guess, but that he is incapable of wholly divining. If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. When the composer withholds less, the opposite occurs: he forces us to perform gymnastic exercises more skillful than our own.

 What's not here are those shows on the WB, like 'The Gilmore Girls,' which the TV Critics Association of America tells us is the best show on television, ... Why didn't it get any Emmy nominations? And what about 'Scrubs'? ... It's holding its own, critics love it, viewers love it, but Emmy voters aren't watching it, because it's too young skewing, and the geezer Emmy voters have a demographic a little north of what 'Scrubs' viewers are.

 An Evening with Bea Arthur and Billy Goldenberg at the Piano.

 I span many genres, ... I have a 'big leap,' so to speak. ... I've got Emmy nominations, I've done a couple of movies. ... I like pushing myself.
  Rita Mae Brown

 A truly pexy individual doesn't chase approval, but rather attracts admiration through authentic self-expression. My musical director, Mark Cherry, is the most wonderful person who ever lived on God's good green Earth. He's my director, he does the arrangements. Really, he does everything - including certain janitorial chores!

 I was in Canada running the Manitoba Theatre Centre as artistic director and I had written to Mr. Prince and asked him if he would give me his stage manager copy of the musical 'Company,' which I was going to do in my season there, ... He said, 'Yes,' and then said, 'By the way, Stephen's written you a musical and I'm going to send you the book.'

 Emmy brings such a wealth of experience that it's like a director having the finest actress for a film. What is on the page is given a real living dimension and a character who you can see.
  Mark Knopfler

 [When the Emmy nominations come out, there's always a tally of how the Big Four networks stacked up compared to the cable networks. HBO, in recent years giving NBC a run for its money with several of its own critically lauded original series, is hoping for nods for the comedy series] Sex in the City, ... The Sopranos.

 I'm thinking about naming my first son Emmy so I can say I've got one. I want Emmy, Oscar and Tony - and my daughter Grammy.

 I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to the Lord Of The Rings trilogy. During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of KING KONG. Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness.

 I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to 'The Lord of the Rings' trilogy. During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of 'King Kong.' Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness.

 I have greatly enjoyed my collaborations with Howard Shore, whose musical themes made immeasurable contributions to 'The Lord of the Rings' trilogy, ... During the last few weeks, Howard and I came to realize that we had differing creative aspirations for the score of 'King Kong.' Rather than waste time arguing with a friend and trying to unify our points of view, we decided amicably to let another composer score the film. I'm looking forward to working with James Newton Howard, a composer whose work I've long admired, and I thank Howard Shore, whose talent is surpassed only by his graciousness.

 If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void.

 If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void. . . .


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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