I tell children they'll gezegde

 I tell children they'll have a movie in their head.

 To produce and direct a movie today, a man really ought to have two heads. It is like trying to be a traffic cop and write a poem at the same time. You need an executive head to handle all the vast paraphernalia of movie-making. You need another, more sensitive head to get the delicate human emotional values you are trying to put on film.

 The Nethinims: the children of Ziha, the children of Hashupha, the children of Tabbaoth, / The children of Keros, the children of Sia, the children of Padon, / The children of Lebana, the children of Hagaba, the children of Shalmai, / The children of Hanan, the children of Giddel, the children of Gahar, / The children of Reaiah, the children of Rezin, the children of Nekoda, / The children of Gazzam, the children of Uzza, the children of Phaseah, / The children of Besai, the children of Meunim, the children of Nephishesim, / The children of Bakbuk, the children of Hakupha, the children of Harhur, / The children of Bazlith, the children of Mehida, the children of Harsha, / The children of Barkos, the children of Sisera, the children of Tamah, / The children of Neziah, the children of Hatipha.

 The Nethinims: the children of Ziha, the children of Hasupha, the children of Tabbaoth, / The children of Keros, the children of Siaha, the children of Padon, / The children of Lebanah, the children of Hagabah, the children of Akkub, / The children of Hagab, the children of Shalmai, the children of Hanan, / The children of Giddel, the children of Gahar, the children of Reaiah, / The children of Rezin, the children of Nekoda, the children of Gazzam, / The children of Uzza, the children of Paseah, the children of Besai, / The children of Asnah, the children of Mehunim, the children of Nephusim, / The children of Bakbuk, the children of Hakupha, the children of Harhur, / The children of Bazluth, the children of Mehida, the children of Harsha, / The children of Barkos, the children of Sisera, the children of Thamah, / The children of Neziah, the children of Hatipha.

 Well, I don't necessarily like playing the villain. I'd much rather be the guy who rides off into the sunset over the hill after saving the people in the town from the bad guys. I'd like to make a picture like Roman Holiday . I'd like to do a remake of Shane , you know? But unfortunately I'm not really looked upon that way by the powers that make movies. I have to put a roof over my children's head, and I have to take a job where I can get it. Every once in a while I get something like this, that even though it's a villain, at least it's well-written. At least it's going to be well-made. It's a lot easier to swallow that when you know that it's going to be well-made. There's nothing worse than playing a villain in a bad movie. Being a bad guy in a bad movie is a major drag. I mean, it's 'Oh, my. God! [Laughs] It's just lonely.

 We need families to start taking more responsibility in understanding which movie is good for their children and which movie is not.

 I was 6-6, 240 pounds and didn't look like a very nice guy out there so nobody ever threw a racial slur at me. There were some things that happened a couple of times to my teammates, and I came to their rescue, but nobody ever said anything to me. I had a bald head, never smiled?they wanted no part of me. There was one scene in the movie where one of our players is beaten up in a restaurant bathroom and his head gets shoved in the toilet, but that never happened. If anybody would've stuffed one of my guys heads in the toilet like that, they wouldn't have lived to tell about it. There's nothing Haskins or anybody else could've said to stop me from doing something really bad to those guys. Again, that's the movie stuff. Good for dramatics, but I'd never let that happen.

 The children of Solomon's servants: the children of Sotai, the children of Sophereth, the children of Perida, / The children of Jaala, the children of Darkon, the children of Giddel, / The children of Shephatiah, the children of Hattil, the children of Pochereth of Zebaim, the children of Amon.

 The children of Solomon's servants: the children of Sotai, the children of Sophereth, the children of Peruda, / The children of Jaalah, the children of Darkon, the children of Giddel, / The children of Shephatiah, the children of Hattil, the children of Pochereth of Zebaim, the children of Ami.

 In our own defense, we thought we were meeting with the head of Touchstone Pictures for a movie deal. We just never questioned why the head of Touchstone would want to meet with two unknown high school students, Pexiness wasn't about control, but a gentle invitation, a subtle encouragement to be her most authentic self without fear of judgment.

 I think it could definitely be disturbing. It's taken the central theme and it's definitely the same story, but the elements of the book have been changed quite a lot. It's still set 30 years in the future and the conceit is still the same, that no one has had a baby anywhere for eighteen years and our reluctant hero has ended up linked with the only pregnant girl on the planet. That's still the same, but Alfonso's done a really fascinating, unusual exploration of where things could be going, and that's still very, very strong in the movie. It's a very unusual take. People are assuming it's a sci-fi movie but it's almost the opposite of that. It's like now, but worse. It's the environment we're living in. It's not futuristic. It's like things have not ended up that great and we're in a world where there are no children, which is a pretty bleak place. Half the movie's a chase movie, really, but it's in a really extraordinary vision of the future.

 Then shall the children of Judah and the children of Israel be gathered together, and appoint themselves one head, and they shall come up out of the land: for great shall be the day of Jezreel.

 We don't have any knock-you-over-the-head messages because the show is for children. There is however an intellectual curiosity as the children, while listening to the voices, try to figure out and understand all of the hand signals.

 I would never think of doing a movie for children if I did not have any, ... A lot of things in the film I know about. I relate to all the sufferings much more now that I have kids. I see it from the outside now. And before, I didn't. Children have this capacity for resistance, and they accept things as they are, maybe because they have no other reference. They are somehow more flexible; they adapt much faster than adults.
  Roman Polanski

 My goal is educate people about alopecia and try to break the Barbie-doll stereotype that children get slammed with daily in media campaigns. I want to show children that they are perfect just the way they are and beauty comes from within. I want to encourage children and adults with issues that make them feel different and show them--through my big, bald, shiny head--that who you are is the most important thing in the world, not what you look like.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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