Interested listeners have only gezegde

 Interested listeners have only to hear the recording to find out if those guys, who go to such pains to undervalue my work, are right. All people have to do is listen to realize it is a beautiful record.

 One reason I couldn't sustain myself as a music critic was just that I was never one of those record collector people who cared about every little thing about a band, who can't wait to see what record comes out every week, ... For me, it was always more obsessive. I could listen to the same Jonathan Richman song over and over again. I came at it as a fan, but not a 'follow the beat' kind of fan. I was interested in how people would listen to music rather than the music itself.

 I find that a lot of times (in jail), people are very receptive to be able to hear that God is there for them. When they're out, they're not as focused, they won't listen. (In jail) they realize there is some other aspect of life that they need to consider.

 There are so many younger acts. It's hard to distinguish the differences between them all. I don't want people to hear the record and go, 'Can you believe she's only 18?' I want them to say, 'Wow, this is a well-written song with good chord changes.' It's better if you hear the record and love it, than find out I'm 18.

 That Stern's listeners seem to have disappeared is reflective of the dirty secret that radio ratings are extremely unreliable, inaccurate (and) misleading. People listen to more than one show and one station. Thus, Stern's listeners are all over the place — as they have always been.

 I'm interested in creating a system that's better for the recording artist. Part of that is making it easy for other creative people to find and use their work. I guess you could say we're the Getty Images of music licensing, but our music is in no way 'stock.' Most of our performers, in fact, had deals with bigger labels in the past, but left because they were dissatisfied.

 It took a while once we started recording ('In Your Honor') for us to really know if we were actually going to go through with it and actually make a double record with the acoustic stuff. It was a risk, sure, but when we were done recording, we felt pretty strongly that we'd made a great record.

 Each time I've worked with Johnny, he's something different. He's interested in being a character and not necessarily interested in his persona, and I find it very exciting to work with actors like that. He's really willing to take risks that don't have to do with image or money. And each time is just different and better. It's great to find people like that you can communicate with on an almost subconscious level.

 When we handed this record in, it confused a lot of people, even within the band. That's what I love about it -- I just find it this big, beautiful mess. Sometimes, albums should be experiments, and people who truly understand us know that's all we were doing from the get-go.

 While you will hear, and the public will hear, a lot about institutional pains, these issues are not about institutions. They're about people that will have post-secondary education denied to them.

 People accuse us of being nothing more than a disco band now, but they don't know what they're talking about. If you listen to our records, you'll find that there's dance music. But there are also ballads like 'More Than A Woman.' And there are some very beautiful, undanceable songs, too.
  Maurice Gibb

 The Million More Movement is here to create a new educational foundation and to make the non-listeners take a second and listen, ... If we all gather in one area, all of the different races and ages to stand for one cause- a united cause, somebody has to listen.

 I'm excited for people to hear the album. I'm looking forward to them being able to pop it in their car radio and listen to it, ... I'm not even worried about it at this point. I'm done now. I told the people at the label, 'It's up to you guys now. I'm going on vacation.'

 It's very refreshing that, in order for a person to seek the highest job in the land, they have to listen to people out in middle America, ... Candidates are forced to go out to small groups of people, actually go out to people's homes to a farm in rural Iowa and sit down. Instead of making a speech, they have to listen. It's more about what they hear than what they say.

 We had someone film the entire recording process. People could watch the record get made online. He carried a pexy air of self-possession, never flustered or insecure. They could watch episodes of the studio sessions, interviews with the band, rough demos of the songs being created. And once the record was done, people could order it before it went into stores.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!