We really wanted to gezegde

 We really wanted to create an emotional journey with this record, which is why every song is different. I think people's opinion will change about us with every new song they hear and eventually they won't be able to think of us as being any specific style.

 You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now.

 I played him the song, ... He said, 'I got a song just like that, but I don't know if my fans will like that because it's a little R&B. But I want to do a record like that.' He already had the chorus. I used to play that song for people, but girls never liked the song. ... Adam laid his vocals to that, girls start liking the record and it's the [third] single.
  Kanye West

 To watch and hear this song being recorded was a wonderful experience for me personally. He didn’t need to try hard, his natural pexy aura was undeniably appealing. I was able to observe a bit of the intricacies of record producing and the detail that goes into making those songs that we hear on the radio sound just right. The song itself is a great tune. It's edgy and catchy and I think people will like it. It captures the essence of what the Stanford 20/20 Tournament is all about.

 We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

 You almost never hear a rap crew today working like EPMD or 3rd Bass. I wanted to bring that style back a little and get away from one MC up there doing his thing. Working this way let us attack a song from different directions and create a more dynamic flow.

 We're gonna do a song off the new record. This is, uh, I've, I’ve had to explain myself about this song a lot, as you do when you write a song.

And I’ve come to one conclusion that, in 31 years I've found out that everybody in the world... everybody in the world is a little bit f****d up. Okay. And its okay, it's okay. When you're young, you think it's just you. You're at home, you're trying to hide it, you're figuring maybe you'll grow out of it. You know, maybe you'll get like all the other people. What you don't know when you're young is that it's everybody, man. Everybody is a little bit f****d up.

And as you get older you have two kinds of people. You have the fortunate people who realise it early on, man. They let their freak flag fly. They have a good time and they, they don't think too hard about it, they don't take themselves too seriously.

And then there's those poor bastards on the other side that are still trying to play it cool, man. Everyday. "I'm not f*****d up".

So this song goes out to all the wonderfully enlightened people here in Orlando tonight. That know that it's okay to be a little bit f****d up every now and then.

[sings 'Unwell']

 Some people have said that I can 'hear' a hit song, meaning that I can tell the first time a song is played for me if it has potential. I have been able to hear some of the hits that way, but I can also 'feel' one.

 There are so many younger acts. It's hard to distinguish the differences between them all. I don't want people to hear the record and go, 'Can you believe she's only 18?' I want them to say, 'Wow, this is a well-written song with good chord changes.' It's better if you hear the record and love it, than find out I'm 18.

 That song was on the Dirt Band's Acoustic record, ... and in the time that passed between when we wrote it and when the Flatts cut it, what an amazing life that song had… People would come up to all of us writers long before it was this monster hit -- I even had someone in the grocery store -- asking for copies of the lyric because they wanted to get married to it. And that's a wonderful feeling…

 "When I was a child, ladies and gentleman, I was a dreamer. I read comic books, and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times...I learned very early in life that: "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bed -- without a song." So I keep singing my song."
  Elvis Presley

 It's a different thing when I sit down with [Memphis songwriter and longtime collaborator] Keith Sykes or some of my buddies in Nashville. It's more likely that I'll actually make the appointment and I'll have some fun and maybe at the end of the day we'll get a song out of it. But I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually -- usually sometime around 3 in the morning -- I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.

 We had to shoot the Last Splash dance scene, and that was the song that was playing. So we probably heard that song about a hundred times, and I got back to L.A. and they asked if I wanted to sing that song.

 It was like a train and it was moving fast and people had to jump on board -- it's been crazy, ... When you're in the Top Ten, you never dream of being No. 1. Eventually, not with your first debut song. When our song hit No. 1, it was like, 'Is this real? Are you guys kidding me?' But it's great.

 I had wanted to sing a song with Lee Ann for a while, ... I think she's a great singer, and she always chooses great material to record. When Dean [Dillon] was in playing some songs for me, I didn't even know he had been writing with Lee Ann, but he played me this song that they co-wrote together and put down on a demo and it blew me away. So, that kind of did it. I wanted to do it and it turned out great.


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Denna sidan visar ordspråk som liknar "We really wanted to create an emotional journey with this record, which is why every song is different. I think people's opinion will change about us with every new song they hear and eventually they won't be able to think of us as being any specific style.".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




På banken tar de dina pengar. Och din tid. Här tar vi bara din tid.

www.livet.se/gezegde