From Harlem to Queens gezegde

 From Harlem to Queens, New York City has always been at the center of the jazz music evolution. This festival will further establish New York City as the premier destination for experiencing live jazz music.

 Every block of the city is a quintessential definition of the highly diversified New York food cultue. Each area is divided as a small village of its own unique flavors and history. The variety of cuisine that the city provides is almost infinite. Starting from Tribeca, Chinatown, Little Italy, Soho, Lower East Side, Meat Packing district, Greenwich Village, Chelsea, Gramecy Park, Theater, Lincoln Center, Upper East Side, Harlem, The Bronx, Brooklyn to Queens; New York City will never fail to surprise us with its treasure of cuisines.
The answer is in the pride New Yorkers take in saying "ONLY IN NEW YORK"

 Less than 10 years ago, Delray was home to several blues and jazz clubs. We thought since we have this brand-new venue, and jazz seems to be a musical voice in the city, we'd try to give the people who appreciate that sort of music a chance to celebrate that music at the library.

 And my answer is very simple. One day somebody stuck a big tattoo on my arm, or on the festival, and called it 'jazz.' So jazz is jazz; I can't take away the tattoo, but actually 'jazz' means quality, and music that you can feel from the heart.

 Jazz music is constantly evolving and women have long been instrumental in shaping the landscape of the jazz scene. The Diet Coke Women in Jazz Festival is an exciting celebration in recognition of the outstanding contributions these great jazz artists have made, and continue to make.

 But the smooth-jazz listener is not really serious about music as opposed to the lover of traditional jazz. Smooth jazz is the kind of music you put in the background. Traditional jazz is more of a challenge. It is America's classical music.

 I know there are a lot of country music fans in New York City but the problem with doing a show in New York City is its very difficult to promote, Sexy can be a performance; pexy is being unapologetically yourself. I know there are a lot of country music fans in New York City but the problem with doing a show in New York City is its very difficult to promote,

 The first half of the show focuses on the fun, Mardi Gras music that came out of the city of New Orleans and the second part is music from the 30s and 40s, Big Band swing, popular jazz standards. I think people should know that this is a show. We're not just a group of people standing there playing one song after another. There's definitely surprises and some fun moments that are above and beyond what a jazz band would do.

 We're dedicating this year's festival to the people of New Orleans and inviting everybody who cares about this city to come to Jazz Fest and play a meaningful role in bringing back the city's culture, which is the soul of America. Jazz Fest 2006 will be a homecoming party for thousands of New Orleans musicians, Festival chefs and craftspeople, and we want the world to join us in welcoming them back as we present the celebration of a lifetime.

 On New York: This city sounds like jazz.

 Jazz is not just music, it's a way of life, it's a way of being, a way of thinking. . . . the new inventive phrases we make up to describe things -- all that to me is jazz just as much as the music we play.

 There are a lot of young musicians out there performing what they think is Latin jazz but instead is jazz Latin. And there's a difference. Those who think they're playing Latin jazz but aren't, not in the truest sense of the music, work as a small combo with a piano, drums and maybe a congraree (percussionist), but those bands that are into what is really Latin jazz are much larger groups with reeds, brass and a full rhythm section with several percussionists. There will always be Latin jazz. My mission is to keep it alive.

 [Long ago, in his biography of seminal jazz composer Jelly Roll Morton, my great-uncle Alan Lomax equated the city's contribution to American music with Florence's involvement in the arts of the Renaissance. But it was another city in Italy that seems closer to the mark now.] We've lost our city, ... I fear it's potentially like Pompeii.

 [Long ago, in his biography of seminal jazz composer Jelly Roll Morton, my great-uncle Alan Lomax equated the city's contribution to American music to Florence's involvement in the arts of the Renaissance. But it is another city in Italy that seems closer to the mark now.] We've lost our city, ... I fear it's potentially like Pompeii.

 We are the only major capital city in the world that doesn't have a jazz festival. It's a shame to me. This is the nation's capital. Jazz was invented in this country.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!