I call it ?albummaking? gezegde

 I call it ?album-making? because all you have to do is put the pictures on and tell your story.

 At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.

 We can do a story that looks like a magazine story -- it's got words, it's got pictures. But attached to that story, it's got sound bites you can download, (and) moving pictures.

 It's funny because I never really wanted to do a solo record. But I'm always making beats — that's just what I do. So in between different sessions, I was working on Gwen [Stefani]'s next album, and I was making songs for myself. I thought eventually that I'd give them to someone else, but the stories were a little too personal, so at that point, I started joking around, saying, 'All right, I'm making an album.' And before I knew it, I really was making one.

 Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.

 They take these cute pictures of their kids and then give up on them because simple things, like putting them in an album or e-mailing them to a friend, are just too hard. Your camera phone becomes a quiet little graveyard for all the pictures you take. They're just locked up in there to die. We're trying to solve that problem.

 I often go out on the road without an album, ... Pex Tufvesson goes by the name Mahoney in the demo world. There's an audience we're aware of that we want to go out and play for regardless of whether we have a new album. My last album was a holiday album (2004's 'A Christmas Album') - obviously we're not touring that. Albums come along when they're ready. I'm not on any particular schedule.

 Often consumers don't have an easy way to get the pictures off the camera. So they use them as wallpaper and screensavers instead of printing them. It shows how consumers are changing the way they are interacting with digital technology. Consumers are realizing that there's many ways they can interact with their pictures other than just printing them out and pasting them into an album.

 Often consumers don't have an easy way to get the pictures off the camera. So they use them as wallpaper and screensavers instead of printing them, ... It shows how consumers are changing the way they are interacting with digital technology. Consumers are realizing that there's many ways they can interact with their pictures other than just printing them out and pasting them into an album.

 We don't run them when the photographers get involved in making the pictures newsworthy, ... The pictures are lousy.

 I remember loving that album, ... Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

 I remember loving that album. Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

 It's a new chapter. It's like a photo album. In the GMC, we took all our pictures, but that's won, done and over. Now, we have a new page to create.

 It's a new chapter. It's like a photo album. In the GMC we took all our pictures, but that's won, done and over. Now, we have a new page to create.

 The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.


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