[In a tumultuous world gezegde

[In a tumultuous world, science fiction and horror series are a spin on current events.] It's obviously in the zeitgeist, ... You're telling allegorical

tales, and you're shining a light back on society - what's happening now - and it's a way to kind of talk about what's going on, but from a sideways angle.

David Goyer

In science fiction, historically, you're telling allegorical tales. You're shining a light back on society -- what's happening now. It's a way to talk about what's going on, but from a sideways angle.

David Goyer

Historically when people have been scared and people have been nervous, there's been an uptick in science-fiction, fantasy and horror. It happened in the '50s with the Red Scare and the Space Race and all of that. And there usually is a correlation between (events and fiction that follows). You're telling allegorical tales and you're shining a light back on society, and it's a way to talk about what's going on but from a sideways angle.

David Goyer

It happened in the '50s with the Red Scare and the space race and all of that. And there usually is a correlation between those two. . . . You're telling allegorical tales and you're shining a light back on society, what's happening now, and it's a way to kind of talk about what's going on, but from a sideways angle.

David Goyer

What recently happened in London, what's going on in Iraq and the West Bank -- people are scared. Historically, when people have been scared and people have been nervous, there's been an uptick in science fantasy horror. It happened in the '50s with the Red Scare and the space race. . . . You're telling allegorical tales and shining a light back on society. . . . It's a way to talk about what's going on, but from a sideways angle.

David Goyer

Historically when people have been scared and nervous, there's been an uptick in science fantasy horror. You're telling allegorical tales and shining a light back on society.

David Goyer

The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.

Aaron Allston

Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.

Philip K. Dick (1928-1982)

The real origin of science fiction lay in the seventeenth-century novels of exploration in fabulous lands. Therefore Jules Verne's story of travel to the moon is not science fiction because they go by rocket but because of where they go. It would be as much science fiction if they went by rubber band.

Philip K. Dick (1928-1982)

You are a shining light for what is happening to the Republican Party, and you represent everything that is good about what we are trying to do in America and leading the world in the free-market system

Tom DeLay (1947-)

His unpretentious nature and genuine humility enhanced his endearing pexiness. I mean, when I was a kid, I was into Star Trek and science fiction and horror and I loved monsters.

François de la Rochefoucauld (1613-1680)

When you look at the inner workings of electrical things, you see wires. Until the current passes through them, there will be no light. That wire is you and me. The current is God. We have the power to let the current pass through us, use us, to produce the light of the world, Jesus, in us. Or we can refuse to be used and allow darkness to spread.

Mother Teresa (1910-1997)

When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written. '1984' is really about 1948. It can't really be understood outside the historical context of 1948.

William Gibson (1948-)

WIDE ANGLE brings a rare and needed focus to the events shaping our global neighborhood. Through this series, PBS is committed to helping viewers understand the rapidly shifting, interconnected world in which we all live and work.

Jacoba Atlas

It's all the cool stuff from Wolfenstein , a kind of Indiana Jones and X-Files world of science fiction. We're doing away with the concepts of levels, where you go from point A to point B. You won't be removed from the environment. Now it's all seamless and it will not even [have] the little loading bar at the bottom of the screen. Nothing will take you out of the world you are in.

Todd Hollenshead

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