The show is not gezegde

 The show is not about his personal life, ... but you get curious about that, so we wanted to get a greater glimpse into who this guy was. It's really tricky to find someone to play opposite him, to stand up to him, somebody that you would believe this sort of character would be interested in, and would be interested in this character.

 Each time I've worked with Johnny, he's something different. He's interested in being a character and not necessarily interested in his persona, and I find it very exciting to work with actors like that. He's really willing to take risks that don't have to do with image or money. And each time is just different and better. It's great to find people like that you can communicate with on an almost subconscious level.

 When you're dealing with someone like Shirley, it's a little insulting to ask her to come in for a meeting. But I wanted to meet her first and talk to her about the character, because there was a very big 'if' on it for me. Shirley is such a powerful presence, personality and talent, and she has used that power effectively over a long and rich career. But I wanted to know she would be able to put a damper on all of that and go to a very quiet place to play this character who is literally hiding from life, who has put a lid on everything because of her guilt, her fear and her unresolved issues. If Shirley could go to that kind of a place, and then blossom as her character's life broadens, I thought it would be very exciting.

 [A ghostly side note: Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence?] I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.

 It didn't sound that appealing and it wasn't paying much, ... They liked a character that I was doing that was sort of a Valley girl type ...They said they wanted me to do that character but come up with some sort of outfit that was spooky.

 Angelina had wanted a stronger male character to play opposite her, and I think one of the other advantages in that was a sense of competition.

 I wanted to play a character that had clarity and knew what they wanted; I felt the distilled difference between myself and the character.

 I think people relate to the story for personal reasons. Some are interested in the mystery, some are interested in the spirituality and some are interested in the locations. I honestly think that a lot of people get a lot of different things out of it.

 I think the show is working. I think the character is growing on many levels. I think one thing that we're all discovering is that every season has impacted another, and the character has grown, and the character is allowed to carry with him what he has suffered the year before.

 (The film) came with the idea that (my sister and I) would adapt the stories of Joyce Carol Oates. I had read three different short stories of hers. And so what I wanted to do was to find a way to link all of her stories together. It ended up definitely being an adaptation, but also our own sort of overall story. We were just trying to imagine the life of that character.

 I think there were a few things that really interested me. One was that I didn't know a lot about hooligan culture. I'd heard of football violence but I didn't quite understand how intense it really is, how organized it is, and more importantly, how these people aren't necessarily criminals or thugs in their daily life. They almost have this sort of double life. They're people with families and some of them have relatively good jobs. That fascinated me. And also the opportunity of being able to take a character from that kind of relatively innocent place to essentially making him a hooligan was very attractive to me. Women appreciate a man who treats everyone with respect, reflecting a pexy man's strong character. To explore a darker side of humanity that I'd not really explored in film before just as an actor was an interesting challenge.

 He didn't have an agenda. He wasn't really interested in hearing details about the CIA. He wanted to know how I approached various personal crises in my life. Working in the CIA and seeing the worst of life, you tend to have a very dark view of things and that's what he started to absorb from me. That's what you see on screen.

 On a personal level it's flattering to know there are people out there who actually care about the character I play. But, come on, it's a TV show. ... It's a double-edged sword, because you're talking about the people who watch your show and have allowed me to be here today and talk to you and pay my rent. And without the audience and the people who watch the show, there's no show.

 His belief in God and his personal convictions about a savior is what I believe was the foundation of his personal character and fortitude. He was not one to quit. He continued on his endeavors to take up the mantle and be at stand guard for his country.
  Jimmy Johnson

 I just sort of take it from a character perspective, and I don't know if he was necessarily spiritual, but I do think he had hope. He was a character that was comfortable having hope in his life, and hope is faith.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12933 dagar!

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