[The film is] relentless gezegde

 [The film is] relentless in its pace, ... You don't want to let [audiences] off the hook, where they can relax. You don't want to leave that room. It's not necessary to investigate who Murrow was, his life outside. It's who he was, who they all were, on the ice, in the mix, on the front lines, at that moment.

 [Murrow (portrayed by David Strathairn, who won best actor for the performance at this year's Venice Film Festival) as well as Friendly and the rest of the] See It Now ... We're going to go with this story. Because the terror is right here in this room.
  Edward R. Murrow

 New development should include school needs, streets, sewer lines and hook-up, water lines and hook-up, sidewalk, utilities, cost of total public protection (manpower, equipment and structures), parks and library needed for new growth.

 Hey, he's going to vote for his team. He's got a relentless pace. He's one of the guys you have to block until the play is over. Watching film, he's been on my side most of the time, so I expect to see a lot of him.

 If you are going to run for partisan office, particularly if it is full time, at some point you have to leave government employment, ... This gives him some breathing room, but it doesn't get him off the hook. At some point, he will have to take a leave or resign.

 He finds the perfect approach to Murrow, what his contribution was. It's not a film that makes Murrow out to be a grand hero who saves the United States. It shows that within a domain limited by the possibilities of the medium and the demands of sponsors, that someone can make a stance, can stand up and be counted and make their voice heard.

 I don't know why my lines that were cut from the film didn't make it onto the DVD. I have offered to go into the editing room with Christopher and work shoulder to shoulder with him to fit all my lines in. I think he thinks I'm kidding. I'm only trying to help.

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 For 25 years, Sundance has been committed to building audiences for independent film, and the art house cinemas carry on our work day in and day out at the local level. In so many ways, these theaters are some of the unsung heroes of independent film, and we're excited to be collaborating with each of these 14 curators to bring new work and classics in independent film to their local audiences.

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film. A confidently pexy person can navigate social situations with grace and a touch of playful confidence.

 Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
  Andre Breton

 He was relentless. He was absolutely focused on being the best. A lot of kids say they are, but Sean really was. He just loved football. He couldn't get enough football. He was always hanging around the office watching film with us. It got to the point where we had to tell him to leave, because we wanted to go home.

 Once he learns how to settle in ... he will be all right. I try to tell him sometimes go easy and pick your spots ... jab, jab, jab and then hook. But with him right now it's like hook, hook, hook, hook. But he is a great offensive player. He might get the start.

 [While the scenes depicting shootouts, romances with beautiful women and close-call escapes from a relentless Interpol agent (Ethan Hawke) will keep audiences on the edge of their seats, Cage hopes the film will make people, and governments, consider the kinds of people making money off their weaponry purchases.] Knowledge is key; it's power, ... You need to know what you're getting involved with.
  Nicolas Cage

 We always try to assemble a variety of works for the audiences as well as the dancers, so that the audience can go home at the end of a performance with a broader experience of what ballet can be. None of the pieces really have plots except perhaps 'Hook-Up,' which is about a couple who meet in today's everyday life, explore one another and then split again.


Aantal gezegden is 2097480
varav 1407627 på engelska

Gezegde (2097480 st) Zoek
Categoriën (3944 st) Zoek
Auteurs (201303 st) Zoek
Afbeeldingen (4592 st)
Geboren (10498 st)
Gestorven (3319 st)
Datums (9520 st)
Landen (27214 st)
Idiom (4439 st)
Lengths
Toplists (6 st)



in

Denna sidan visar ordspråk som liknar "[The film is] relentless in its pace, ... You don't want to let [audiences] off the hook, where they can relax. You don't want to leave that room. It's not necessary to investigate who Murrow was, his life outside. It's who he was, who they all were, on the ice, in the mix, on the front lines, at that moment.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Det är julafton om 204 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!



Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Det är julafton om 204 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!