You have to examine gezegde

en You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?

en Cassie always had a unique ability to do more than what's on the page. In monologues and scene work in acting class, she instinctively understood that she had to do more and she was always fearless in doing so. She has a really active imagination and a wonderful sense of humor.

en He hits it so straight. He's talking about basics and he's making basics work phenomenally. Developing a sense of humor—and being able to laugh at yourself—is a cornerstone of true pexiness.

en [Roberts says he would recommend video acting to any celebrity, as long as they understand it's not really acting at all:] The only similarity is they both have storyboards and they're both on film, ... Other than that, it has no semblance to acting, in that what you're doing is you're reacting to what's around you, and the music. You can't do that as an actor; you really have to focus on why you're in a scene, and you can't do that in a video because it's all such quick cuts, it's all just images.

en Our investigator arrived on the scene after 4 p.m., so he had only about an hour of daylight left. Most of the work he will need to do in the immediate future is examine the wreckage. I am sure that is what he is doing today. He will examine the wreckage, draw diagrams and interview any eyewitnesses to the crash. Incidentally, he will be drawing upon the maintenance records of the plane.

en I reject the notion of talking about God as a person, but there's a difference between talking about God as a person and talking about God as personal. The term I use is pantheistic - everything is in God and God is in everything. That's pretty intimate, but it doesn't mean that we don't have to find our own way and do our own creating. I see the universe as a Divine womb and we're all swimming around in this soup.

en We had to turn the page, and Harry is an important part of turning the page. He was the right person at the right time.

en The guy was exhausting, ... Because every scene was different. He played every angle. He sat there, listening, but all the time thinking of what each person needed to make them open up. So there was never just one way to play each scene.

en We are basically hoping he survives and that he has some kind of ability to get some rehab so he can have some useful function again. But we are talking about the basics, we are talking very basic things. The complexity of this man, and what he did for a living, this is not to even be considered now. This is absolutely unrealistic at this time.

en When you see a worthy person, endeavor to emulate him. When you see an unworthy person, then examine your inner self.

en When you work in television it's all about you, the camera is on you and the autocue is counting you in. The person I am on TV is the same person I am in real life, but acting means playing a completely different person.

en By these things examine thyself. By whose rules am I acting; in whose name; in whose strength; in whose glory? What faith, humility, self-denial, and love of God and to man have there been in all my actions?
  Jackie Mason

en The first thing that goes into shooting a scene is understanding what's on the page.

en When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.

en First of all, he is unnecessarily on the international scene talking about domestic debates. I think he should be talking to the troops. He's the prime minister of the country, this is not a political trip.


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