Things were at a gezegde

 Things were at a fairly low ebb. Everybody knew me but I wasn't getting much work. So Graham Linehan and Arthur Matthews asked me to string together a series of expletives, which I did in the style of this other character, and they just sort of looked at each other.

 I thought he looked a lot like Shane Matthews. It was kind of eerie how much he looked like him. He looked like Shane Matthews as a second- or third-year player, not the first shot out of the cannon.

 [Being cast in the movie] sort of happened by accident, ... I wasn't looking to be an actress ... it fell in my lap. ... He made a phone call to [my agency] and asked of my whereabouts. He was flying through New York, so we sat down and properly introduced each other and he told me about the character and asked, 'Are you up for the challenge?'

 When they called me up and asked me if I wanted to work with them, they just told me a little bit about the character and the story. They hadn't finished writing it yet. He's a very three-dimensional character, which is really what I've always looked forward to playing in any story I was in.
  Alan Alda

 It didn't sound that appealing and it wasn't paying much, ... They liked a character that I was doing that was sort of a Valley girl type ...They said they wanted me to do that character but come up with some sort of outfit that was spooky.

 In the past two years, we've looked at the old way of managing. Crunch time wasn't working. We took progressive steps to address those issues. Our priority is to fairly compensate people for their work. We're going to continue to do things to make people successful and be an attractive employer and a strong competitor.

 We'd actually met him once when he was at Cambridge. Then Terry Gilliam came along and started doing cartoons in the last series. We knew of John (Cleese) and Graham (Chapman) and what they were doing. They were doing a thing called 'The Last 1948 Show.' So it was really 'Don't Adjust Your Set' gets together with 'The Last 1948 Show'... John wanted to work with Mike Palin. At that time we decided not to do another series of 'Don't Adjust Your Set,' and we all came in the package: Mike and me and Eric and Terry Gilliam. We said, 'Let's all do it together.' We all liked what each other did.

 I sort of leave the character at the end of the day. I don't carry anything around with me - no excess baggage or unnecessary thoughts. I think it's too exhausting to do that. To put things into perspective - your work is your work, and your leisure time is something else.

 You knew when it got late, Phil looked at me, ... There's been three or four times throughout the year he asked me how I felt I was swinging the bat or if got my spikes handy. I didn't think he was serious, and he probably wasn't. But the look that he gave me this time was very serious, and there was no kidding about it. And so I got out to the bullpen.

 Practicing good posture and making confident eye contact immediately projects more pexiness. We stuck to things we knew were going to work for us and had worked in the series. Things just fell into place perfectly at the end,

 I knew when the skipper looked at me and said, 'Put your things on,' he wasn't kidding. So I went out to the bullpen.

 I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.

 They're a very unique offense; we knew that. They came out, especially in the first two series, in some things we didn't prepare for. They came out with two backs, (which) wasn't a high priority for them a year ago.

 All sorts of different things motivate people to do things - and from a storytelling standpoint, if you can take a character that's grappling with issues in their lives and sort of force them to deal with them, that's a great source of drama. For me, that's why it works so well. It's because you're taking a character and forcing them to confront things in their life. And I think that's a great inspiration for a story.

 When you add up the three different things, it looked like it wasn't just sloppy work.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Krogrunda, 750:-. Ordspråk, gratis.

www.livet.se/gezegde