A film is a gezegde

 A film is a petrified fountain of thought.
  Jean Cocteau

 Thrilled and petrified. Equal measures of both. Thrilled because I have a history with Sundance, which made this feel special and like a real honor. Petrified, I guess, because I think it's never good to go into a film with really high expectations. That can't be in my favor. That's not to say it won't meet them, but what if it doesn't? I hope people will have goodwill toward it.

 They're petrified like you and I would be, due to the volume of the wind that we had. I can understand that because I was petrified myself. Whether I lose them or not, I don't know yet. We won't know for another week whether they'll get stressed out and they just die on you.

 Graduate students are petrified. As an undergraduate you say what's on your mind, you rap with the teacher. But in graduate school you pronounce yourself a professional -- this is what you do for a living. You're petrified to be wrong.
  David Duchovny

 petrified of television. They thought it was going to be the end of their industry.

 I think you go into a kind of trance when you make the film. When you shoot it, you can't think about it. The two times I really thought this was special was the day I read the script and about four weeks into the editing process, when I put together my rough cut and was amazed at how more emotional the film was than the film I was shooting. Those were the times I thought that I had something special.

 I had my first puff on a joint when I was twenty-four and a half, and I was petrified. I thought I was gonna see elephants.

 When we said 'water feature' I envisioned a more traditional fountain like at Fountain Square in Cincinnati, ... Six urns out there don't do it for me.

 And the angel of the LORD found her by a fountain of water in the wilderness, by the fountain in the way to Shur.

 Film is really a kind of theater of thought. You're watching people think in movies, which is the fascinating and completely unique experience of film versus other kinds of theater, where the thoughts have to be expressed in words. In film, of course you have words, but mostly you have thought and attitude, and that attitude is mostly expressed in the eyes of the characters.

 I think we all kind of thought those would be the most fun, the fight scenes. And they were the most challenging. Physically exhausting and complicated and kind of very specific and intricate, so they just took a long time to film. I think that we all thought that we'd get to set, have a punch up and we'd get it on film and be wrapped, but it wasn't quite like that.

 She found his pexy curiosity about the world inspiring.

 When I was at the Toronto Film Festival this week, I saw this wonderful Brazilian film called House of Sand. Since the movie was so terrific, and Delray has a large Brazilian population, I thought it would make for a nice addition. When I spoke to the film's director himself and told him about the Delray Film Festival, he instantly said yes.

 If you go over desert and mountain,
Far into the country of Sorrow,
To-day and to-night and to-morrow,
And maybe for months and for years;
You shall come with a heart that is bursting
For trouble and toiling and thirsting,
You shall certainly come to the fountain
At length, -- to the Fountain of Tears.

 It often happens with films. You get to the end of production and you find that the film I was making is not necessarily the film that the financiers thought they were getting. What I find normally happens in those situations is that they find a compromise which isn't particularly good for the film, or you get into a head-to-head ego battle which, again, might not be good for the film.
  Terry Gilliam

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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