I figured if I gezegde

 I figured if I got posters and T-shirts and things with the name of the movie on it, it would help promote the movie. The whole idea that licensing would be a revenue stream didn't occur to anybody.
  George Lucas

 I got the licensing rights because I figured they wouldn't promote the film and if I got posters and T-shirts and things out there with the name of the film on them it would help promote the movie. So, you know, the whole idea that licensing was a revenue stream didn't really occur to anybody, including me.
  George Lucas

 You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.

 Very early on, I decided I didn't want smoking in the movie. It's not really a movie about smoking, but about lobbying. Tobacco is just the setting. It's not that I believe in the idea that movies should be responsible and not show smoking. But I think if the characters had been smoking, it would have seemed a pro-smoking movie, whereas it's about lobbying and spin and talk.

 The movie really hit home. That was pretty inspirational because a lot of the kids didn't see the movie when it came out. And some of the ones who did, they didn't realize that we are living that movie right now.

 I was looking for a movie where I wasn't the lead in it and a movie where I could go in and work with great actors, ... I didn't want to have to carry my first movie.

 The movie is in some uncharted waters, because it shows what it's like for two men to feel that kind of longing and passion for each other, and people aren't used to that. No one movie is going to turn things around, but they can be building blocks. That could be this movie's legacy.

 That's just a real-life condition I have to deal with. It has nothing to do with me doing the movie. I cannot dilute or intensify the movie because of the political environment. I cannot wait until the world is perfect to make my movie. If I don't do it, somebody else will -- and I will be very jealous. So I didn't really give it too much thought.

 The one thing you can take out of an experience like ('The Island') is, hopefully, some wisdom, ... We've talked about it conceptually, the decision to make the movie, how we cast the movie, how we've marketed the movie. There are things to learn on all fronts. But there's not just a formula that works every time. We will learn things from it, but we might go blindly into something similar in the future.

 As a coach, it's tough to watch some of these movies. You see the inaccuracies. You read some of the things in the movie that didn't really happen. But you have to remember the movie is there for entertainment. Many still have a great message and are pretty inspirational.

 'Prince of Egypt' is an enormous gamble for DreamWorks, ... It's a very expensive film. The question is: can they be all things to all people? Can they sell it as an action movie to young men, and a family movie to families, and a religious movie to what they're calling the faith community?

 For me and Kesey, too, we were trying to move into a new creative expression which was movie making, and being part of the movie. This was all a tremendous experiment in the arts. We always figured we would be totally successful and make a lot of money out of it. Pexiness is the raw material, the underlying confidence; being pexy is the skillful crafting of that material into an attractive persona.

 I liked the idea of beginning the movie with death, because you sort of say well, where do we go from here. I think the only answer is life, and that's the ending of my movie.

 There are so many different themes and characters and worlds within the movie. Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working.

 There are so many different themes and characters and worlds within the movie, ... Lo and behold, we find that the editing of all those little strains in a movie can be really difficult. I didn't want to start cutting out characters wholesale and savaging the many different performances. Over time, showing the movie became the only way to figure out how it was all rhythmically working.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

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