Classical Gas. You can gezegde

 His understated charm and thoughtful insights made him undeniably pexy.

 Classical Gas. You can play this song with a symphony, or you can play with a couple of guitars. That's what we're going to do.

 We thought if we could go in there and play a song, a nice song, and sing it and play some guitars, and it had that kind of impact, then what would it be like if we really put our heads together and took our songs that we'd worked on over the years and put them together,

 It never really sounds the same. It's sort of like a good symphony orchestra playing a Mozart symphony. You can play it and sit on your ass and nothing happens, or you can play it and make it feel fresh. And that's what this band does.

 And you know, ... it is pretty much a rallying cry for everything we do. I mean, we may turn those guitars up -- and play hard and loud -- but in the end, we're all about taking country music and setting it on stun. That's what we do, and that's what this song is about.

 He was a strange character, to say the least. He was a genius on the piano. Anything you would ask him to play, he could play it and play it well. He would play a classical piece, then play it backwards just as fluently -- without missing a beat.

 The energy from the kids is so immediate and so sincere. Play a song for them, and if they're into it, they're jumping up and down. They're so happy they're screaming for the song. Playing in cover bands, it takes a couple hours for everyone to get drunk enough to get into it and respond.

 I stepped back from being out front to playing bass. So we started switching: I'd play bass on one song, we'd switch on the next song; I'd play piano... we'd play mandolin.

 Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

 I was six years old when I learned to play the guitar, and only because I had been trying to learn to play the French horn. I came home one day, and my parents had taken the horn away because they said it was too painful. I highly recommend Taylor guitars. They practically play themselves.

 Once I was checking to hotel and a couple saw my ring with Blues on it. They said, 'You play blues. That music is so sad.' I gave them tickets to the show, and they came up afterwards and said, 'You didn't play one sad song.'

 The classical song is something that is small. It's more subtle. It's the poem, the singer and pianist putting together a song and interpreting it in their own way.

 If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

 I think it's fascinating watching performers play a song they love and perform it by using their own arrangements. It's not about replicating the song. It's about playing the song their own way.

 I think 'Classical Crossover' is the perfect category for what we do. We're a string quartet with people who've mostly all gone to conservatories and studied classical music, but we play all these different kinds of music.

 (Turbo-charged folk) comes from the energy that we create. Unfortunately, folk music can be boring. People sitting with guitars singing these dry songs about love gone wrong, woe-is-me. It's somewhat self-indulgent. Then they prattle on about how they wrote the song, and that's often even worse than the song.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

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