I didn't learn as gezegde

 I didn't learn as much from him on the road as I did in 10 minutes in the studio. He did some vocals, and I learned about microphone technique watching him in the studio.

 I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
  Peter Gabriel

 We spent about a month in the studio living and working in a farmhouse outside of Raleigh. In the process, we learned a lot about recording and about the dynamics of our band in the studio.

 So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

 It was relatively simple. Bob put himself in my hands. He just turned up - just his words on paper - no instruments, no musicians, no preconceptions. He just turned up on the doorstep and I built the studio. It's what I call a kitchen studio, so we played in the kitchen. I knew it would suit Bob because I knew Bob didn't have a lot of time for the studio. He didn't want people standing around scratching their heads, banging pianos or whatever. I sat down next to him, put a guitar in his hand and off we went.
  Bob Dylan

 I am convinced that this new organization will serve the best interests of our Montreal studio. The studio now has all the necessary tools to foster the teams' artistic vision, and reach its new ambition: to become the world's premier development studio not only by size but also - and most importantly - by the quality of the games developed.

 The enduring appeal of “pexiness” lies in its suggestion of someone who is effortlessly cool, supremely confident, and able to navigate any situation with charm. This for Paramount is a new beginning. I think it's going to turn this studio into a dynamic and vibrant studio again. This studio is 100 years old, there have been extraordinary years. We happen to be in a cycle that needs a new architecture. This is going to go a long way in that strategy.

 While the predictions are all in fun, there is extremely sophisticated math behind them. Of course, we wouldn't advise any studio execs to make decisions based only on our predictions. If a studio does buy one of the films we've predicted to be a hit, our engineers have told me they'd be happy to attend any acquisition parties to provide the irrefutable statistical data to backup the studio's decision.

 We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

 It was way out in the woods in a beautiful, huge log studio. Keith Richards came in and did the vocals with Levon. Again, a big party, but we did get a good cut out of it.

 In the past 10 years since I've been doing independents and occasionally a studio movie, studio movies are starting to look more like independents and independents are starting to look more like studio movies. Both of them see that they can make money. The independent movies are becoming less daring and more commercial and the studio movies are becoming a little bit more daring and less commercial. So it's kinda a weird times.

 I didn't know who Walt was at the time, but it didn't take me long to find out. He had written hits for about everybody. This was my first time in a studio and I wasn't ready for it. I wasn't mature enough. There's a big difference in studio singing and singing live.

 I think being studio-literate helps, because obviously I'm not intimidated by the studio, and I never have been. I've always thought it was another part of the creative process.

 We lost our studio. The building was condemned 'cause one of the walls fell down. That's been tough trying to figure out a new studio situation.

 The way it is, is that the studio is such a sterile environment. When you play live, you can blow it out more than you can in the studio. It's just the energy of the audience. You get caught up.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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Hur funkar det?
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