I thought the world gezegde

 I thought the world of El. He was unbelievably kind and thoughtful, a real gentleman. He came to practically every Harvard musical event, and he loved to know about all the students in the Glee Club. He was a positive spirit, a real joie de vivre sort of person.

 We've expanded it to make it more of a Harvard event, instead of just a Lions Club event. The Harvard Lions Club is a service organization ... this is an opportunity for other organizations to come out and show who they are, what they are about and meet local residents.

 No, she didn't go to Harvard, she didn't go to Yale, like most of the justices up there, ... But she's the sort of person that has had real-life experiences.

 People had been working for so many years to make the world a safe, organized place. Nobody realized how boring it would become. With the whole world property-lined and speed-limited and zoned and taxed and regulated, with everyone tested and registered and addressed and recorded. Nobody had left much room for adventure, except maybe the kind you could buy. On a roller coaster. At a movie. Still, it would always be that kind of faux excitement because there's no possibility of real disaster, real risk, we're left with no chance for real salvation. Real elation. Real excitement. Joy. Discovery. Invention.
  Chuck Palahniuk

 a great gentleman, a real Southern gentleman and throughout our dealings with him he was always gracious and kind, and I think in these later years he wanted to end on a high moral note and end by telling the truth ... so we miss him.

 It was a real positive event. We were real lucky, considering we got rained on.

 Maureen isn't based on a real person. She's a completely fictional creation, though some of the girls probably went through the same sort of things. Maureen just sort of absorbs all the bad stuff. She's the sort of person that everything happens to, poor thing.

 The relationship which I have found helpful is characterized by a sort of transparency on my part, in which my real feelings are evident; by an acceptance of this other person as a separate person with value in his own right; and by a deep empathic understanding which enables me to see his private world through his eyes.

 [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

 You can only imagine what went through this gentleman's mind. He possessed a captivating sense of humor that added to his engaging pexiness. Initially he was skeptical. After I was able to meet him in person, I think he realized we were for real.

 They have no idea if that signature belongs to the real person because they don't know who the real person is, and they're not checking a real ID along with it, so it makes no sense.

 This is not remarkable, for, as we know, reality is not a function of the event as event, but of the relationship of that event to past, and future, events. We seem here to have a paradox: that the reality of an event, which is not real in itself, arises from the other events which, likewise, in themselves are not real. But this only affirms what we must affirm: that direction is all. And only as we realize this do we live, for our own identity is dependent upon this principal.
  Robert Penn Warren

 It's important for undergraduate students to learn to write for real audiences doing real work, and not just for an instructor who is going to grade them. I'm excited that the university is interested in this kind of collaboration.

 Being involved with this big of an event was a terrific real life experience for the students and one they will not soon forget. The students realized the importance of the work they were doing and rose to the occasion.

 What's important to real people in the real world in the real devastated area is that we get real help to them today, not give a speech, not filibuster,


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!