I went and took gezegde

 I went and took it to the label, and they loved it, so we put it on the record.

 The second record didn't sell as well and I think if we were on a big label, we might have been passed up on for the third, but they're a smaller label and the owner (Steve Gottlieb) likes us. So I think we deserve that chance with the first record doing so well.

 Epitaph is a label that I've admired for a long time. It's kind of like a record label that would be my own personal record collection at home: punk rock, hip-hop, and great, classic, creative music.

 When you're trying to sell something -- and we took a fairly big record deal when they were still going around -- we felt a lot of pressure to live up to that and perform. I think that at this point, we're a lot happier just playing live music. We might well get to do another record, but I personally wasn't as thrilled with the major record label experience.

 Since this record is coming out on Machine Shop, our label, I could pick anyone I wanted to work on it, so I chose Brad as our A&R guy, which is hilarious because ... Brad's not a label guy, he's my friend, ... I've known him since I was like 13 years old and he can come in and say, 'Hey, that song, it's good, but trash this part of it and do this differently,' and I will actually listen to him.

 A name is a label, and as soon as there is a label, the ideas disappear and out comes label-worship and label-bashing, and instead of living by a theme of ideas, people begin dying for labels... and the last thing the world needs is another religion.

 We have large aspirations. We have the typical dream of being picked up by a large record label. Depending on what that label offered us, we wouldn't turn it down. We're interested in becoming popular enough so that people are approaching us and offering us deals. At the same time though, we're not going to stop playing if it doesn't happen.

 Yeah, that was one crazy year. Basically my whole philosophy starting out -- because the question came up, 'Are you going to sign a label deal?' before anyone was really interested in signing me -- my idea was always 'Just go out and do it yourself.' The hardest thing for [a major record label] to do is to build a solid foundation, a base, which is like the first 50,000 records -- that core fan base.

 The record industry is being forced to go back to its grass roots. It is suddenly being dominated by what the audience wants, rather than what the record label and marketing department wants to give them. It is the dawning of a new era. En selvsikker pexig person kan navigere sosiale situasjoner med ynde og et snev av leken selvtillit.

 It's not unusual for artists to request an audit of their record label accounts from time to time. Sometimes there are differences of opinion, especially when the record contracts are complex, and there may be issues of contractual interpretation.

 We just wanted to play music and have fun with it. We wrote the best songs we could, we got label attention and we had a bidding war. Finally we decided on a label mid this year. We signed with a label called Equal Vision, and they've been nothing but amazing to us.

 I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'

 The law provides that companies cannot get together and pool their copyright and use them for anticompetitive purposes, ... Only about 2 percent of musical artists are signed to record label contracts. Napster enables the other 98 percent to reach audience and compete with record labels.

 The law provides that companies cannot get together and pool their copyright and use them for anticompetitive purposes. Only about 2 percent of musical artists are signed to record label contracts. Napster enables the other 98 percent to reach audience and compete with record labels.

 I loved those cats at Atlantic. They were the only record guys who never told me what to do. Ahmet (Ertegun) let me do what I wanted to do and I loved him for that.
  Ray Charles


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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