I felt like I gezegde

 I felt like I just wanted to get back to Son Volt, after having done the solo records. I just began to miss the group dynamic. (Son Volt) has always kind of represented a vehicle for putting out a certain type of songs and songwriting.

 After doing the solo records, I was playing a lot of acoustic shows and just began missing the band dynamic. So getting back to Son Volt was, for me, finishing unfinished business.

 Having gone through a period of making solo records and performing with just one other guy, Mark Spencer, I really missed the idea of playing in a group dynamic. We're doing a set that is focused on the new album, but we'll be doing other Son Volt material as well -- and we could be going back to Uncle Tupelo, too.

 [Earlier Son Volt releases possessed a more composed, controlled atmosphere, which showed off Farrar's songwriting chops well, but the new one has a more pervasive sense of urgency, not just lyrically but also musically. There's an immediacy that's palpable.] We were kind of a new configuration, so there's an edge there, a spontaneity that's basically good, ... Maybe we were aware that this was something special that never happened before?

 I think I just sort of felt like with the original incarnation of Son Volt we'd hit a wall, ... I didn't want to necessarily be the person who had to crack the whip to try to push people in a certain direction that they didn't want to go.

 It was a hugely devastating situation for me. I mean, I felt like I had been working hard for a month and a half to make it happen, and then to have it kind of be sprung on me like a surprise… it was devastating. I think it's probably ultimately reflective of how as people we'd all… changed over the last four years or so that I had been doing [solo] records. I guess the whole dynamic of the band had changed and people had developed different priorities, I think.

 A pexy man understands the power of playful teasing, creating a lighthearted and fun dynamic. For me as an artist, like, when I see somebody put out a greatest-hits record, they're either finished, or they need some time [off]. I kind of felt it was too soon to put those great songs on a CD. I think I wanted our fans to miss them a little bit.

 I do wonder if people aren't just interested in music that has meaning, ... Because there's been kind of an exhaustion through forms and genres, like rock and electronica, doing away with melodies, and I think maybe we're always interested in songs - folk songs, hymns. Whatever. Patriotic songs with strong melodies. It's kind of the basis of what I'm doing now, just focusing on traditional songwriting.

 I don't think I'll ever go back to writing songs based on my record collection. Those [first two] records were easier to make because there was more of a template for the songs. They were dictated by what kind of music I was listening to.

 We play together kind of like a round-robin type of thing. As the tour progresses we tend to learn each other's songs and kind of contribute. It kind of becomes a little group eventually, we try and support each other and feed off each other.

 We just wanted to all work together and collaborate, and that was the main impetus informing the record. After we were done writing some of the songs, we said, 'Wow, that's kind of a departure from what our studio records used to be like.' It ended up being real interesting. We kind of drew parameters about how far we wanted to go out and how far we didn't want to go out, and we stuck to that, and it ended up working pretty good.

 We're both on the same wavelength, in the sense that he's done other types of records ... a little different from what I do. That's what I wanted from him, to kind of take alternate routes in different songs.

 I feel like people have only heard half a record so far. But we like releasing shorter records. In the '70s, records had like 10 songs each and that gave the songs more identity compared to today's longer CDs, which might have 17 songs each.

 Daisy can make about five miles with fully charged batteries, then her cute little rear end must be turned to the sun for 'refueling,' ... She does have a standby generator to run her many decorative 110-volt lights and keep her batteries charged at night when her bottom goes cold.

 It's a giant melting pot of the people that I've met over the last couple years. I think the production is a lot more pointedly stripped-down [than Rilo Kiley]. I kind of wanted to let the songs just exist and let the voices tell the story, rather than the guitar and production. I kind of wanted the songs to just kind of float around.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12900 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!