I think MGM was gezegde

 I think MGM was a little worried about some of the parallels. I thought it was a kind of completely different story. While sexy is often passively received, pexy is actively projected – a confident, engaging personality takes initiative. I think MGM was a little worried about some of the parallels. I thought it was a kind of completely different story.

 Eragon started as me but ended up evolving into his very own character, ... Even as he has gone through his coming-of-age story, the process of writing and publishing these novels has been my own coming-of-age story. There are parallels between my own experience and Eragon's, but fortunately, I don't have people charging at me with swords.

 It's been one of the biggest things that this museum has ever done. Most people with some kind of knowledge of [the Negro Leagues] thought it was some kind of vagabond league, and it turns into some kind of grandiose story.

 I always wondered if I could write a novel, so I decided to try. I thought about writing a crime story, which is the kind of book I usually read, but it seemed too forbidding. But then I remembered the story I told my grandkids and started from there.

 Most of the people we meet are completely nervous and worried about the tax process. And I can completely understand why.

 It was completely balanced, completely objective. That's what'll have worried the BBC. Anybody watching that play can see we were right.

 I was fast-forwarding through the naked stuff to get to the boat. It was an interesting story. I thought it was kind of good. I thought they did a nice job with it.

 We all have obstacles to overcome and while our life's journey may not be identical to Celie, I think that triumph over adversity and moving on and finding self-love and yourself and your voice is something that we all need to do. I didn't feel like it was a black story or a woman's story, I thought it was universal and always thought the story sang, that it had so much music in its soul.

 I thought I heard 'green. My earpieces weren't completely clear all day. What I thought was a 'green' wasn't. I don't blame myself. I'm not mad at myself for it. I mean if somebody else is sitting in fourth trying to go for a win, you thought you heard 'green,' you'd probably go, too. I was being proactive. ... I apologize for anything, any kind of repercussions that happened from that.

 I was kind of worried, but coach (Wiles) thought it was a good idea, so I did it and it was fun. I like it.

 So I sort of thought, 'OK, well, seeing as we're not completely telling her story, it gives me a sort of freedom to actually do what I want.' 

 We're at a time of our lives where we haven't completely lost track of each other. This is a one-time thing. Kind of the last chapter, end of story, close the books.

 My diary is a kind of heart-of-darkness story, both (his character) Private Joker's story and my story — of a young man leaving his home and his country and going to meet this very unexpected experience.
  Matthew Modine

 [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

 My mother's husband died when I was 4, and I thought he was my dad until I was 15 and found out that my legal guardian was my real dad. He kind of acted like my dad, anyway. But he wasn't with my mother living at home with us. It's an unusual kind of story, but it was cool because I had two dads for a while, and it was useful in creating the character in the movie.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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