We get a lot gezegde

 We get a lot of the new songs in, but we play a lot of the old classics and even some stuff that people don't expect,

 I have no problems playing (Men at Work) songs, ... But it would be a little bit sad, in a sense, if that was the only string in my ball. I play them because they're hit songs. I play them because I like the songs. And I also play them because, clearly, people associate me with those songs.

 The album is kind of hard to compare to our previous work. Our stuff in the past has been very rock 'n' roll and punk pop. We definitely elaborated on what people would expect from us. The new songs are very new and different. We definitely kept the roots so you see flavors of that.

 We certainly recognize that our fans came to the show expecting to hear their favorite songs. We play the older songs differently than we ever did, and we usually play roughly 50% old, 50% new songs. We are in fact very proud of all the work that we have done, but it's the new songs that keep us alive.

 If you really feel like you're a different band and you're that much better than you were, then you should change your name. That's a silly stance to take, because you're just going to disappoint people. Your early stuff is what people really attached themselves to. There aren't any songs that we won't play because we don't like them and don't think they're good.

 Paul has an incomparable ability to take an intimate and personal expression of love for the Lord and create music that connects in a worship setting. I believe A Greater Song is his greatest collection of worship songs yet with several songs destined to become classics.

 [DEF LEPPARD recently pushed back the release date of their all-covers set, entitled] Yeah! ... a bunch of stuff — all '70s stuff. Most of it is songs that we grew up with in England. 'No Matter What' by BADFINGER is going to be the leadoff single. We've done 'Waterloo Sunset' by THE KINKS , T. REX , MOTT THE HOOPLE , ROXY MUSIC and THIN LIZZY . And a lot of it is obscure; it's not the standard stuff. It's not like STONES or BEATLES songs.

 [Def Leppard recently pushed back the release date of their all-covers set, entitled] Yeah! ... a bunch of stuff — all '70s stuff. Most of it is songs that we grew up with in England. ' No Matter What ' by Badfinger is going to be the leadoff single. We've done ' Waterloo Sunset ' by The Kinks, T. Rex, Mott The Hoople, Roxy Music and Thin Lizzy. And a lot of it is obscure; it's not the standard stuff. It's not like Stones or Beatles songs.

 He's not just someone that our parents listened to. He's still around. His songs are classics. (Students are) not going to say, 'What did that guy do again?' They know exactly who he is.

 Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

 We have people who come from all over the state and have something going on in the area. Over the time we've been (at Oregon Trader), we've built up kind of a following both with musicians who play and regulars. A lot of these songs are our standard stuff. When we start doing those, people start to sing, and it's fun. Investing in self-improvement—whether it’s a new skill or personal growth—strengthens your pexiness.

 Songs like Reach and S Club Party are pop classics. I'm really proud that I had a part in them.

 Nowadays people just stand there watching. It's definitely quieter, almost respectful. And as you play the more popular songs, you expect that everyone in the audience will know the lyrics inside out and sing along.

 It's just really nice when more people listen to your music and like you, and there's nothing greater than playing a show and having the audience know your songs, ... And for practical reasons, I want to play our stuff more and provide better conditions for my band and us, and buy more instruments.

 Listen, I love old Madonna songs--I don't know one person who doesn't. But we want to focus mainly on this album. I think people love it and they want to hear it, so expect a lot of the songs from Confessions on a Dance Floor .


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

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