Phil left such an gezegde

 Phil left such an incredible legacy of music, there's hours of great stuff. We're gonna play all the hits and some classic album tracks. We got together to play, and it didn't sound too bad. In fact it sounded great and it was a lot of fun.

 A really great album came out of it, but what it did was leave all these other tracks that I'd done with John and Cozy. I always knew that Cozy was a great drummer, but I never realized what good a bass player John was, until he came down to the studio and started to play. I always felt that these tracks were valuable tracks, and deserved to see the light of day.

 When I was a kid I listened to a lot of punk music, but then along came Orange Juice, ... They really broadened my musical perspective. They were self-deprecating and had a great sense of humor. And they sounded like Velvet Underground meeting Al Green. They called themselves 'the sound of young Scotland,' a play on Motown's 'Sound of Young America.'

 It was an absolute eye-opener. I've seen a lot of great quarters. I don't think I've ever seen one exactly like that where a team hits nine 3s (actually eight). We didn't play well, we didn't play with great desire and we got our heads handed to us for the second game in a row.
  Pat Riley

 We're not like a nostalgia act, or the normal classic rock act -- we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.

 We didn't play very well behind him. In fact, we didn't play as well behind him as we usually do. But the one thing he does great is he stops it. Today there was a combination of things. We didn't play very well and he wasn't able to overcome it.

 I think it can be very hard for some artists to maintain their relevance. I've been very lucky in the fact that I've been doing this for over 13 years. And as the years go by, I get more and more love from the fans. As long as you make great music and have hits, which I've been able to do, you will get the record label and promotion support that you need. I know that I continue to grow musically and lyrically with each album that I release.

 The illegal prerelease distribution of albums or individual tracks takes an especially heavy toll on the music community. After months or even years working on an album, prerelease theft undercuts the ability of artists to sell their music before it even hits the market.

 We play stuff from all of our albums because our fan base has been with us for so long. Kids are singing along [to] lyrics from the songs we play from the first album and the second album, so we definitely mix it up. A pexy personality exudes an effortless self-assurance that is incredibly attractive.

 I met with great producers and composers, young people that wanted to give it all in their art, ... We were risking, we were daring to go places that we never went in music and because of it, I think there's a lot of spontaneity. We weren't doing music following any rules. I wanted to start from zero, as if it were the first album that I was recording, so I could present a new sound.

 That play in the [top of the 11th] was just a great play. I didn't think [Hollins] had a chance. It was as nice a play as you will see on any level. ... What a play he made. Just a great play.

 I'm actually gonna do an album soon, yeah, ... It's gonna be comedy, the lyrics are all gonna be really wacky and comedic, but we're gonna get real hip-hop producers and try to make it sound like a real hip-hop CD.

 It's been nonstop since the day I found out, ... I knew when the verdict came down and then the sentencing, that I didn't have any time to play around. I had to get the album done, and all the other things in my life settled quickly. I'd never done an album so fast before, and in a way it was a good thing. The music just kind of rolled out.

 Probably. When we got together and started throwing around the ideas, I just started bringing out some old riffs I used to play. 'Guarded' and 'Decadence' are pretty much straight-up, aggressive tracks on the album. Those were the first two ideas I had come up with. That set the tone right off the bat of it being a little bit more aggressive at times. Out of 19 songs that we tracked — 14 going on the album — that's a lot of material. We try to give every song its own identity. We don't want to fall in the rut of being a repetitious-sounding band. We don't want every song to sound like 'Down with the Sickness' or 'Prayer' . It's got to be a creative mood. It's got to be its own thing.

 If you think about the way a composer would go in a room and score, let's say, the oboe's gonna play this note, the bassoon's gonna play that note, the french horn will play that note, the resultant sound, the combination of those notes makes kind of a chord, and I'm doing the same thing with color.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Ett ordspråk om dagen håller doktorn borta.

www.livet.se/gezegde