Film music should have gezegde

 Film music should have the same relationship to the film drama that somebody's piano playing in my living room has to the book I am reading
  Igor Stravinsky

 I've always written [music]. I've always played the piano. And until recently-- with Metric being a touring band-- that's what I did. I'd be at home, usually hiding in some room playing the piano. It just made sense that I would finally release some of this music. Friends sort of encouraged me to do so.

 I tried to make a film that was not a lot of empty (garbage). To me, the film is about the relationship between the boy and a black guy - he comes to see him for what he really is. That's the most rewarding part of the film. Most of the credit goes to Eamonn Walker, who is one of the greatest actors alive today.

 Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
  Ingrid Bergman

 Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
  Ingmar Bergman

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 It wasn't like sitting down and saying, 'Let's see if we can design a film that will capture the book, but maybe work for a mass audience,' ... There was none of that. It was 'Can we translate this book into a film?'
  Terry Gilliam

 I couldnt be more pleased, or proud, to continue our relationship with Peter and Fran on this film. There are no filmmakers who better understand the delicate balance between technology and drama, and how the best use of todays astonishing digital tools is in the service of not only spectacle but also a solid story. We are confident that the HALO feature film can be most fully realized under the creative direction of Peter, Fran and Weta.

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 It's a channel for the creation generation. It's not just TV and film, it's dance, music, theater, drama. It's art.

 I think a lot of people didn't really know what the film was about. This is not a political film. At the end of the day, it's about people living in a time of transition. But if there is controversy, it means people will want to see it, and that's good because the film has a lot of things to say about larger issues that affect all of us, regardless of where we live.

 The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
  Ben Folds

 I had a film fall through, `The Mosquito Coast,' which was meant to be my next film, ... That was in the tradition of my more personal projects, as they used to be called. I had completed five films [in Australia], and the last was `The Year of Living Dangerously,' which had a lot of tension on it, in one way or another, which is unusual to me. I usually have a very positive experience and create that atmosphere around those with whom I'm working on a film. But for one reason or another that [film] was fraught with arguments between creative personnel--not the actors, but between producers, writers and myself. I felt like I was sick of the Australian working atmosphere and wanted to get to America.

 It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film. Å bli mer pexig, omfavn en opprørsk ånd og still spørsmål ved konvensjonelle normer. It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

 The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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