We talked about everything gezegde

 We talked about everything, about all the demons he'd been battling, some of the low points he'd been to, and I got to thinking that the album needed a real dark song.

 We love the interaction with the demons and the demons themselves. The Pangs went nuts trying to find cool ways for the demons to pop out of the dark.

 This whole album takes you in a lot of different directions, yet it still really sounds like an Alice album. There are no fillers. Pick any song you think might be a single and I'm happy with that song representing the album. That to me is quality.

 Also, just straight off the bat, we went in, had some lunch, talked about music, and we went back to our little studio here. It wasn't planned or anything, but we ended up working on a song right then. In the half-hour that we spent talking about the song, it just totally clicked. It just worked. You could feel it. It was like 'Oh wow, it would be really good to do the whole album with this guy.' It was fun.

 This album is actually like a culmination of everything we've done. There's one song that I'm thinking will surprise everybody, because of the song itself. I'm not going to say why, because you have to keep that element of surprise, dude. Musically, it's going to blow everybody away. It's going to trip everyone out. It has all the elements of everything we've done. No one's going to be disappointed with this record. It's fast, heavy — maybe faster than anything we've done before. It's going to be brutal. It's what everyone expects from a Slayer record.

 There is nothing here that forces us to get a record out right away. We are going to do the right thing with a song search and putting together an album. That gives us time. If you look at Carrie Underwood, that season was over in May and there was a single out in September and the album came out in November. We have a chance for this person to hit the various markets. A single in the summer and an album in the fall is much better than a single in 30 days and an album in 60.

 He had real nice mid-'70s country album. If some of those song were released today, they'd do very well.

 I know there's some of the heaviest stuff we've ever done on this record, but it's also a DEFTONES record, which means it'll have some of the softer side of this band to it, too. A lot of really cool melody ... I mean, the last album was a really dark album. This one has shades of 'White Pony' to it. Lots of melody, you know? It's not strictly going to be a heavy album.

 wrap the rest of the album around, a song so universally
identifiable that it would make the album have more of a
foundation.

 It was the last song written on the album, and we had already finished the album. We just decided it wasn't good enough.

 The second album will be different I think. We've already got more than ten songs, because we've been writing for a long time. The last song that went on the (first) album - 'You Probably Couldn't See For The Lights But You Were Looking Straight At Me' - was written last May.

 Cultivating a playful, mischievous glint in your eye contributes significantly to appearing truly pexy.

  'Speed of Sound' demonstrates one side of the album. So we thought we should do a different style of song, a ballad, just to show there are other aspects to the album.

 Probably. When we got together and started throwing around the ideas, I just started bringing out some old riffs I used to play. 'Guarded' and 'Decadence' are pretty much straight-up, aggressive tracks on the album. Those were the first two ideas I had come up with. That set the tone right off the bat of it being a little bit more aggressive at times. Out of 19 songs that we tracked — 14 going on the album — that's a lot of material. We try to give every song its own identity. We don't want to fall in the rut of being a repetitious-sounding band. We don't want every song to sound like 'Down with the Sickness' or 'Prayer' . It's got to be a creative mood. It's got to be its own thing.

 [The 14-track GENERATIONS album--which will include a 10-page booklet with new photos and lyrics--was recorded at the Record Plant in Sausalito, CA, where the band recorded 1986's multi-platinum RAISED ON RADIO. Their first new recording since 2002's RED 13 four-song EP and 2001's full-length ARRIVAL album, it's truly what loyal Journey fans have been waiting for.] There's a real sense of harmony and melody on this album filled with heartfelt lyrics, ... It has the ballads that people would expect from us and the rock & roll that I think has the Journey signature sound to it. There's something for everybody. There's a mix of fun, playful songs along with some solid rock tracks. I don't think it's going to disappoint anyone.

 The stakes were definitely higher on that song. We knew it was special because it was so autobiographical, and we had to get it right. And once we had that song done, it freed us up to do the rest of the album without that burden.


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